Tag Archives: Isabella Linton

Wuthering Heights Character Review: Linton Heathcliff

*Warning: This post contains spoilers about Emily Bronte’s classic novel, Wuthering Heights. Read at your own risk if you are unfamiliar with the either book or the various adaptations.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Wuthering Heights to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

Some characters are unfortunately fated to die young. As much as the writer or the audience would like see the character live into their golden years,  for some it is not simply meant to be.

In Wuthering Heights, this is the fate of Linton Heathcliff. The son of Isabella Linton and Heathcliff, the reader meets Linton as a young man. Hidden in London by his mother, Linton only returns to Thrushcross Grange (the Linton family estate) after his mother’s death. At first, Linton is safe with his uncle Edgar Linton and his cousin, Catherine. Then Heathcliff hears that his boy is back in the neighborhood and demands that Edgar hand over the boy.

Linton is a sickly young man who sometime comes off as spoiled. He is forced to marry his cousin Catherine by his father and dies soon after. The last victim of the emotional turmoil that stretches over the entire narrative, his death marks a turning point that will finally heal the wounds that have remained open for two generations.

To sum it up: As sad as the death of a character can be, it can also represent change and new opportunities. While Linton’s death is indeed sad, it also closes the door on the past and paves the way for Hareton and Catherine to start a new life elsewhere. As writers, we have to remember that death is more than the physical being dying. It can be representative of change, new opportunities and the closing of the door of what was.

 

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Filed under Books, Character Review, Emily Bronte, Wuthering Heights

Character Review: Isabella Linton

*Warning: This post contains spoilers about Emily Bronte’s classic novel, Wuthering Heights. Read at your own risk if you are unfamiliar with the either book or the various adaptations.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Wuthering Heights to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

Not everyone can have their happy ending. Some of us, no matter how much we try, will never be able to walk into the proverbial sunset. In Wuthering Heights, Isabella Healthcliff (nee Linton) is Catherine Linton’s (nee Earnshaw) sister-in-law. When Heathcliff comes back into Catherine’s life a couple of years after she has married Edgar, Isabella develops a crush on Heathcliff. Why shouldn’t she? He is handsome, wealthy and in every sense of the word, eligible. Isabella is single, of age to marry and ready to marry.

The problem is that neither Catherine or Heathcliff have gotten over each other. Isabella becomes a pawn in their relationship. Running away with Heathcliff, they elope and Isabella is cut off from her brother. She will soon learn about the darker side of her husband. When she can no longer live with Heathcliff, she leaves hims and takes their young son, Linton to London.  She dies young,  hoping to leave her son in her brother’s care. But her husband wants his son back.

To sum it up: While we all wish for a happy ending, both on page with our characters and in our lives as human beings, we  may not get that happy ending. Isabella is unfortunately a character whose happy ending is not what she envisioned. But she does one thing that makes her ending stand out: instead of staying with her abusive husband, she leaves him and takes their son with him.

In 19th century Victorian England, this was a brave choice that is a small, but pivotal change in the way happy endings are portrayed. So in a way, Isabella got her happy ending, but it was on her own terms. In that sense, Bronte flipped the standard happy ending narrative on its ear, creating a new happy ending. If a writer is looking to clear up the loose ends of their story with a happy ending, why not change that ending? Flip that happy ending on it’s ear, make the story even more memorable and leave the reader wanting more.

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Filed under Books, Character Review, Emily Bronte, Feminism, Writing

Wuthering Heights Character Review: Catherine Earnshaw

*Warning: This post contains spoilers about Emily Bronte’s classic novel, Wuthering Heights. Read at your own risk if you are unfamiliar with the either book or the various adaptations.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Wuthering Heights to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

The best love stories always have an obstacle to the potential happiness of the couple. The best stories sometimes have a character who is standing in the way of their own happiness. This, in a nutshell is Catherine Earnshaw, the heroine of Emily Bronte’s Wuthering Heights.

Catherine is the daughter of the local gentry. We first meet Catherine when her father brings home Heathcliff, her adopted brother/soulmate. Catherine and Heathcliff grow up together, joined at the hip until they reach early adulthood. Then reality sets in. Mr. Earnshaw dies and Catherine’s older brother, Hindley becomes master of Wuthering Heights. Hindley was never fond of Heathcliff when they were boys. Without anyone to stand in his way, Hindley openly and maliciously abuses Heathcliff.

While this is happening, the audience and Catherine are introduced to the brother and sister duo of Edgar and Isabella Linton. While it is obvious that there is a strong connection between Catherine and Heathcliff, there is also the pressure of the world of Victorian era England. It would be a disgrace for Catherine to marry Heathcliff, despite their deep love. Heathcliff has no money, no social standing and his origins are unknown. In short, it would cause quite the scandal if the lovers were to marry.

“I cannot express it; but surely you and everybody have a notion that there is or should be an existence of yours beyond you. What were the use of my creation, if I were entirely contained here? My great miseries in this world have been Heathcliff’s miseries, and I watched and felt each from the beginning: my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it. My love for Linton is like the foliage in the woods: time will change it, I’m well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! He’s always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being.”

After Catherine marries Edgar and Heathcliff disappears, she appears for a time, to have put aside the wild child sensibility and become a proper lady. But when Heathcliff returns as a wealthy man and starts to not court Isabella, Catherine becomes jealous. Pitting her husband and her soulmate against one another, she becomes ill and dies just moments after her daughter in born.

To sum it up: There are always obstacles, whether on the page or in life. We have two choices, we can find a way to overcome the obstacles or we can take the easy way out.  Catherine unfortunately, takes the easy way out and pays for her choices. As writers, we don’t always have to lead our characters down the right path. Sometimes, we lead our characters go down the wrong path and let them pay for their choices.

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Filed under Books, Character Review, Emily Bronte, Writing, Wuthering Heights