Art has a way of changing the world as few things can. But that does not mean that the final product is approved of by everyone in the audience.
When the musical Jagged Little Pill (based on the Alanis Morissette album of the same name) hit Broadway opened at the end of 2019, it was met with rave reviews. The story of the Healy family and their struggles spoke to the shit we all go through everyday. With the show re-opening at the end of the month, there has been some issues with the character of Jo, played by Lauren Patten.
If what has been said is true, Jo was supposed to be non binary, but was written as a lesbian. In the statement released by the producers, they will be reworking the role to reflect the criticism.
One of the topics that has come up with this controversy is representation. I completely agree that representation these days is super important. Though there has been a vast improvement in both the image and numbers of non cis-gender heterosexual Caucasian men in the media, the truth is that we have a long way to go in truly reflecting the audience.
Speaking as a writer, one of the aspects of this conversation that is missing is how Jo evolved from the first draft until the premiere. In the process of writing, both characters and narrative change over the course of the creation of the work. What also may have happened is tryouts and previews, she was tweaked by both the actor, the writer(s), and the director until everyone was satisfied with the final product.
I have two concerns with everything that is whirling around Jagged Little Pill. The first concern is that it will ultimately force the show to close. When a scandal erupts over an IP, one of two things happen. The first is that it arouses interest and brings in audiences who otherwise would have passed it by. The second is that the scandal become so overconsuming that the executive team has no choice but to call it quits.
The second concern is that producers will look the scandal and if they see a script that is similar to JLP, it will go into the “no pile”. Not because of the quality of the work, but because of the possibility of negative press.
Only time will tell if JLP survives or closes. My hope and my prayer is that it survives because it proves that there is room for creativity and new concepts on Broadway.
P.S. Lauren won the Tony for Best Featured Actress in a Musical last weekend. It is an honor that is well deserved.