This book is so much fun to read. Seeing the screenplay in black and white was a treat. Thompson’s journal from the period is bawdy, funny, honest, and full of delicious minutiae of movie making that only adds to the joy of this beloved classic.
Bronte’s Mistress, by Finola Austin: Austin delves into the myth of the affair between Branwell Bronte and Lydia Robinson, his older and married employer. Giving voice to Branwell, his youngest sister Anne and Mrs. Robinson specifically, she introduces the reader to the woman behind the rumor.
Rage, by Bob Woodward: Legendary journalist Bob Woodward takes the reader into the current Presidential administration and the chaos created by you know who.
Soul: Though it is marketed as a kids movie, the subtext of appreciating life feels appropriate and potent this year.
Mulan: The live-action reboot of the 1998 animated film Mulan rises above its predecessor, making it fresh and relevant.
Emma.: Anya Taylor-Joy stars as Jane Austen‘s eponymous heroine, Emma Woodhouse, introduced as clever, rich, and handsome. Directed by Autumn de Wilde, this adaption is entertaining, funny, and a lovely addition to the list of Austen adaptations.
Portrait of a Lady on Fire: This LBGTQ historical romance between a young woman and the female artist hired to paint her portrait is sweet, romantic, and powerful. It proves once more that love is love is love.
Ordinary Love: Joan (Lesley Manville) and Tom (Liam Neeson) are your average middle-aged couple. When she is diagnosed with Breast Cancer, they both must deal with the rough road ahead.
The Assistant: Jane (Julia Garner) is an assistant to a Harvey Weinstein-esque powerful movie producer. She starts to notice things that don’t sit right with her.
I am Greta: This documentary follows teenage climate activist Greta Thunberg as she advocates for the world to pay serious attention to climate change.
#AnneFrank-Parallel Lives: Narrated by Helen Mirren, this documentary tells not just Anne’s story. It follows other young women who survived the Holocaust. Parallel to the stories of the past, the viewer is traveling with another young woman as she visits different countries in present-day Europe.
“Imitation is the sincerest form of flattery that mediocrity can pay to greatness.”
For two centuries, writers have tried to capture the magic in Jane Austen‘s novels. She is one of those authors whose writing seems easy to replicate. But, upon further inspection, the discovery often is that it is much more difficult than it seems to be.
Yesterday, the trailer for Modern Persuasionwas released. It is basically the modern rom-com version of Persuasion. Playing the 21st century Anne Elliott and Captain Frederick Wentworth are Alicia Witt and Shane McRae.
I’m willing to give this movie a shot. However, two things immediately come to mind. The first is that the title feels incredibly lazy. It’s as if it was the working title for the first draft of the screenplay that the writers didn’t bother changing. It is possible to create a modern Jane Austen adaptation and be creative with the title.
The second is that based strictly on the trailer, it feels like the standard romantic comedy. Granted, the trailer is not the move in its entirety. But, the only initial connection so far that the film is based on an Austen novel is the mention of the Laconia (scroll down to the bottom of the page in the link for the reference).
Only time will tell if the film is a success or a failure. Either way, it will be a point of contention for the Janeite community for years to come.
“I am going to take a heroine whom no one but myself will much like.”
The new adaptation of Emma. was released into theaters this weekend. Stepping in the shoes of Highbury’s queen bee is Anya Taylor-Joy. Unlike Austen’s other heroines, Emma is not hard up for cash and is not looking for a husband. She spends her days tending to her hypochondriac father, Mr. Woodhouse (Bill Nighy) and arguing with her neighbor and long time friend, George Knightley (Johnny Flynn).
She also thinks that she is a matchmaker. When one of her matches lead to a successful marriage, Emma starts to believe that she has the magic touch when it comes to marriage and romance. She will soon find out how wrong she is.
I loved this adaptation. Director Autumn de Wilde adds delicious looking pops of color while screenwriter Eleanor Catton kept as close to Austen cannon as she could have gotten. It is a joyful, hilarious and absolutely wonderful film.
In Jane Austen’s 1815 novel, Emma, the novel’s titular heroine, Emma Woodhouse is introduced as “handsome, rich and clever”. She thinks that she knows the ways of the world, especially when it comes to love and marriage. Thinks is the keyword in the sentence.
The latest film iteration of this beloved novel will be released into theaters in February. Stepping into the well-worn shoes of Miss Woodhouse is Anya Taylor-Joy. Starring opposite her as George Knightley, Emma’s neighbor/verbal sparring partner is Johnny Flynn.
This is one movie that I am looking forward to seeing. Austen’s comedy of manners is more than the story of who will hook up and when they will hook up. It is the story of a young woman who learns that she does not know everything, but it is written in such a way that the reader does not hate Emma.
I hope that this version will make Jane Austen proud.
The Cold War is often used as the backdrop for some of fiction’s greatest spy stories.
In the 2011 film, Tinker Tailor Soldier Spy, (based upon the novel of the same name by John le Carré), George Smiley (Gary Oldman) is a former spy who thinks that his working days are behind him. Then a Soviet spy is found within MI6 and George is called back to work to discover the identity of the spy.
I’ve never read the original novel nor had I seen the 1979 adaptation starring Alec Guinness. The only reason I went to see the film was the cast, most of whom are British and have starred in adaptations of Jane Austen novels. As I recall, I didn’t quite get the intricacies of the narrative and by the end of the film, I remember being confused.
Set in London a month before Christmas, the movie is about eight couples whose narratives and lives are loosely entwined. Daniel (Liam Neeson) has recently lost his wife and is trying to figure out how to raise his stepson. Mark (Andrew Lincoln) is in love with Juliet (Keira Knightley). Juliet is married to Mark’s best friend Peter (Chiwetel Ejiofor). Karen (Emma Thompson) and Harry (the late Alan Rickman) are a long time married couple. Harry’s eyes are starting to wander towards his secretary. Karen’s brother, The Prime Minister (Hugh Grant) has a crush on his assistant. I could go on, but I will let the trailer speak for itself.
What I love about the movie (besides the fact that part of the cast have been in Austen adaptations) is that this movie is neither overly romantic, overly corny, nor does it bash the audience over the head that it’s Christmas. It’s about love, relationships and the need for a human connection, none of which are confined to the Christmas season or to those who celebrate Christmas.
If you have not seen this movie, I highly recommend it. It is one of the few Christmas movies, that in my opinion, are worth watching.
The romance genre, depending on the reader and the writer can either be one of two things: predictable and boring or exciting and engaging. Elizabeth Gaskell’s classic novel, North and South, is the latter. Set in the fictional industrial town of Milton during the 19th century, it is the story of the rocky courtship between Margaret Hale and John Thornton.
In 2004, the book was made into a mini-series. Margaret Hale (Daniela Denby-Ashe) has spent her entire life in the South of England. When her father (Tim Pigott-Smith) looses his position with the church, he relocates his wife and daughter to Milton. To support his family, Mr. Hale finds work as a private tutor. One of his students of the mill owner John Thornton (Richard Armitage). Margaret believes John to be haughty and full of himself and sympathizes with the mill workers. John thinks Margaret is a snob and speaks of what she knows nothing about, especially the delicate balance between the workers and the owners that keep Milton going.
Among movies and miniseries in the BPD (British Period Drama) genre, this is one of the best. Based on a beloved classic with a cast of actors who have played roles in Downton Abbey, Jane Austen adaptations and other period dramas, it is worthy of the praise that had been heaped upon it. Add in the Lizzie and Darcy like chemistry between the two leads and you had the perfect BPD.
Persuasion is Jane Austen’s final novel, published posthumously with Northanger Abbey. It is her most mature novel. There is sadness and a sweetness to the novel. The question of what if pervades the novel. What if we had a second chance at true love? What if the love of your life, the one that got away, came back? Do you take the chance at happiness or do you let it slip through your fingers once more?
Cast: Anne Elliot (Amanda Root), Captain Frederick Wentworth (Ciaran Hinds), Sir Walter Elliot (Corin Redgrave)
Pro’s: This adaptation is beautiful and spot on to the text of the novel. Every actor is perfect for his or her part. Redgrave as Sir Walter is Austen’s metro sexual, is cringe worthy as Anne’s only surviving parent. Root, as Anne is brilliant. Shy and retiring at first, but slowly coming into her own and learning to trust her instincts. Hinds, as Captain Wenworth, is stubborn and angry, but slowly looses his anger and starts to remember why he and Anne fell in love in the first place.
Cast: Anne Elliot (Sally Hawkins), Captain Frederick Wentworth (Rupert Penry-Jones), Sir Walter Elliot (Anthony Stewart Head)
Pro’s: Hawkins and Penry Jones were well cast in their parts and age appropriate. Stewart Head (Giles to my fellow Buffy The Vampire Slayer Fans) is as cringe worthy as his predecessor.
Cons: As with some adaptations, some aspects of the story line or some characters are edited or removed completely. As much as I love the scene where Anne runs through Bath after receiving the letter, it would have not been appropriate for a well bred young lady to run as she did.
And the winner is…the 1995 Persuasion, but not by much.