Tag Archives: John Brooke

Little Women Character Review: Aunt March

*Warning: This post contains spoilers in regards to the narrative and characters from the book Little Women by Louisa May Alcott. Read at your own risk if you have not read the book or have seen any of the adaptations.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Little Women to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

If we are lucky, we have older relations who love us and want the best for us.  But that doesn’t mean that they are always right. In Little Women, that older relation is Aunt March. Aunt March is the wealthy and widowed Aunt by marriage of Mr. March. She is also very opinionated and not afraid to share her opinions.  The reader is introduced to Aunt March when we follow Jo to her job as her aunt’s companion. They get along like oil and water.

It is Aunt March who continually harps on what she believes to be her nephew’s poor decision-making abilities. She also nearly breaks up the engagement of Meg to John Brooke. John is just poor tutor without connections or a large fortune and according to Aunt March, an unwise choice of a spouse.

Though she is critical and not afraid to speak her mind, Aunt March is not heartless. She takes a shining to Amy and encourages her to develop her artistic abilities. She also leaves her home, Plumfield to Jo after her death.

To sum it up: Aunt March maybe a cantankerous and stubborn old woman, but that does not mean that she puts money above family.  I think when writers create characters like Aunt March, there has to be a balance between the smart-mouthed old biddy who thinks she knows everything and the woman who really does care, but it doesn’t come out in a direct fashion. It’s just a matter of knowing when to reveal which part of the character’s personality.

 

This will be the last character review post for Little Women. The next group of characters who will receive a character review in two weeks is…….I’m not telling you. You have to wait and see. 

 

 

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Little Women Character Review: John Brooke

*Warning: This post contains spoilers in regards to the narrative and characters from the book Little Women by Louisa May Alcott. Read at your own risk if you have not read the book or have seen any of the adaptations.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Little Women to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

Romance is wonderful. It is a magic, it is light, it is hearts and flowers, etc. But behind that romance is commitment and more often than not the commitment is harder than the romance. The commitment requires patience, compromise and the willingness to work on the relationship with your spouse or partner.

In Little Women, Meg March, the eldest of the March daughters is the first to marry. In her time, a young lady in her position was often advised to marry up. A rich man to call husband was the goal. But Meg, despite her quiet and compliant nature, follows her heart. She marries John Brooke, who is introduced to Meg and the audience early in the novel. At this point, he is earning his bread as a tutor. His pupil is Teddy Laurence, the boy who lives next door to the March family.

At first glance, John does not appear to offer much to Meg, especially looking through the lens of the 1860’s. He does not have the money or the connections of other men. He is humble and quiet. Both he and Meg know that when they marry, they will have comfortable, but modest life together.

To sum it up: Sometimes, when a writer is creating a romantic narrative, they may go a little over the top. For a certain type of story, going over the top is fine. But for others, going over the top is unnecessary. The best romances are the ones that reflect reality and the difficulty that often comes with being in love with another person and trying to make a relationship with that person last. The relationship/marriage between John and Meg continues to inspire readers and writers because it is grounded in reality. That reality, regardless of how far out the narrative is, is one of the keys to pulling in an audience/reader and keeping them in that place until the story is done.

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Little Women Character Review: Meg March

*Warning: This post contains spoilers in regards to the narrative and characters from the book Little Women by Louisa May Alcott. Read at your own risk if you have not read the book or have seen any of the adaptations.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Little Women to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

There is something to be said about birth order and personality. In Little Women, Meg March is the oldest of four March girls. The March family is today what we would call middle class. They are not super wealthy, but they are not poor either. The book starts as The Civil War rages on, the girl’s father is fighting for the North. To supplant the family income, Meg works as a governess for a local family. Like many first-born children, Meg often acts as a secondary parent to her younger sisters.

But that does not mean that Meg is perfect by any stretch of the imagination. She is still growing up, trying to figure out who she is and how she wants to live her life. Along the way, she lets her wealthy friends turn her into their personal makeover project and eventually marries John Brooke (who shall be discussed at a later date), who according to Aunt March (who will also be discussed at a later date) is not an appropriate match.

To sum it up: Archetypes are one facet of character development. But the archetype is only the skeleton of the character. It is up to the writer to flesh out the character and make them feel alive. Meg March feels alive because despite being the archetypal responsible and level-headed first-born, she still has her imperfections and her faults. That is why audiences and readers still keep going back to Meg and the rest of the characters in Little Women more than a century after the original publication date.

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