Mirabel (Stephanie Beatriz) is a young lady from a small village in Colombia. Everyone in her family was born with a unique gift. The only exception is Mirabel, which is often pointed out in a less than sensitive manner. When she starts to sense that her home will be destroyed, no one believes her. This may be connected to her Uncle Bruno (John Leguizamo). Bruno is the black sheep of her family tree. He is not spoken of and has not been seen for years.
Mirabel appears to be the only one who can save the day. But first, she will have to get past her grandmother, Abuela Alma (María Cecilia Botero).
I loved this movie. It is funny, enchanting, and charming. In making Mirabel ordinary in both physical appearance and abilities, she has universal appeal. The fact that she has glasses, short curly hair, and is not a size 2, is more than overdue. With a Latinx cast and the creative fingerprint of Lin-Manuel Miranda, it is a joy to watch.
On the surface, converting a video game from the small screen to the silver screen seems like an easy task. The characters, plot and fan base are already in place. The only challenge is making the movie. Or so it seems.
Mario Mario (the late Bob Hoskins) and his brother Luigi (John Leguizamo) are plumbers from Brooklyn. When Princess Daisy (Samantha Mathis) is kidnapped by the evil King Koopa (Dennis Hopper), Mario and Luigi must travel to another dimension to save the day.
Were the critics wrong? No. While I give the filmmakers an A for effort, this movie is just wrong for so many reasons.
Every successful filmmaker, over the course of their career, develops his or her unique style of film making.
Baz Luhrmann is known for his colorful and sometimes eccentric films.
Bursting into Hollywood with his 1992 film, Strictly Ballroom, Lurhmann often tells stories of characters trying to succeed against seemingly impossible challenges.
His 1996 adaptation of Romeo + Juliet, starred Leonardo DiCaprio and Clarie Danes as the young lovers. Standing in the way of their happily ever after was John Leguizamo as Tybalt, Paul Rudd as Paris and Paul Sorvino as Fulgencio Capulet. The genius of this film was that while the Shakespearean text was unaltered, Lurhmann wisely chose to set the film in modern day Verona.
Five years later, he tried his hand at the musical genre with Moulin Rouge. In 1899, Christian (Ewan McGregor) is an idealistic young poet who has come to Paris to follow the Bohemian Revolution. His companions take him to the Moulin Rouge, where the star is Satine (Nicole Kidman). Christian and Satine fall in love, but the Moulin Rouge’s patron, the Duke (Richard Roxburgh) also has eye on Satine. Utilizing modern pop music, the story is about love against all odds.