For many of us, our day ends with a late night talk show.
The new six part CNN series, The Story of Late Night, takes viewers through the history of late night television. It started as a way to fill the air time after the primetime shows and turned into a completely new genre. Initially headlined by television legends Steve Allen, Jack Paar, and Johnny Carson, these programs have kept the country laughing for 70+ years. While being introduced (or re-introduced, depending on your age) to these television personalities, the audience is given back stage tour to the places and people that were not in front of the camera.
I enjoyed the first episode. It was educational, but not in a stuffy or academic way. It was both a learning experience and a good laugh. One of the hosts I was surprised to learn about is Faye Emerson. My impression of the era was that men were the face of the genre, women worked behind the scenes or were part of the act. Knowing that she led her own show was a lovely surprise.
Do I recommend it? Absolutely.
The Story of Late Night airs on CNN on Sunday nights at 9PM.
Creating a villain for the sake of opposing the hero or heroine is easy. It’s harder to create a three dimensional character who is still a villain, but is just as human as the hero or heroine.
The new movie, Joker, is a standalone/maybe prequel in the world of Batman. Set somewhere in the late 1970’s or early 1980’s, Arthur Fleck/Joker (Joaquin Phoenix) lives in a Gotham City plagued by crime and poverty. Arthur earns his living as a clown for hire, though his professional goal is to be a stand up comedian.
He lives with his mother, Penny Fleck (Frances Controy) in a beaten down apartment. He dreams of following in the footsteps of his idol, Murray Franklin (Robert De Niro), a Johnny Carson like late night talk show host. He also suffers from mental illness and has daydreams of dating his neighbor, Sophie (Zazie Beetz).
Over the course of the film, Arthur slowly transforms into the villain that we know of as the Joker.
I admire that director Todd Phillips and his co-screenwriter Scott Silver tried to tackle the very complicated ideas of mental health and economic disparity. However, I found the violence to be a little much for my taste. The film was also a little on the long side.
Since the release of the film last weekend, there have been some concern that the portrayal of Arthur’s mental illness might be a trigger for those who suffer in real life. While I can completely understand that concern, I am also concerned that some in the audience might come out of the theater with the general idea that everyone who suffers from mental illness has violent or criminal tendencies.