In Jane Austen’s 1815 novel, Emma, the novel’s titular heroine, Emma Woodhouse is introduced as “handsome, rich and clever”. She thinks that she knows the ways of the world, especially when it comes to love and marriage. Thinks is the keyword in the sentence.
The latest film iteration of this beloved novel will be released into theaters in February. Stepping into the well-worn shoes of Miss Woodhouse is Anya Taylor-Joy. Starring opposite her as George Knightley, Emma’s neighbor/verbal sparring partner is Johnny Flynn.
This is one movie that I am looking forward to seeing. Austen’s comedy of manners is more than the story of who will hook up and when they will hook up. It is the story of a young woman who learns that she does not know everything, but it is written in such a way that the reader does not hate Emma.
I hope that this version will make Jane Austen proud.
At it’s heart, Beauty and The Beast is a tale of two outsiders who find the companionship and affection that is missing from their respective worlds. That narrative quality alone opens the door for new and interesting interpretations of the classic fairy tale.
In the new movie, Beast, Moll (Jessie Buckley) lives with her family on the island of Jersey. Put upon by her family and more specifically, her overbearing mother, Hilary (Geraldine James), Moll externally goes along with everyone, but internally, she is screaming for a way out. Enter Pascal (Johnny Flynn), a rough around the edges outsider who may be the man responsible for a series of unsolved murders of young girls. Pascal is one of a few suspects who is being investigated by Clifford (Trystan Gravelle), a family friend who works as a police officer and has been assigned to the case of the murdered girls.
While the movie was a little too long, the narrative was fantastic. This dark and twisted fairy tale is neither simple or predictable. Writer/director Michael Pearce keeps the tension thick, always making the audience question if Pascal is really the killer or if he is being targeted because he is an outsider. He also smartly ended the film in the most un-fairy tale way possible, with just enough narrative leeway for the audience to ask questions about the future of these characters.