A beloved IP that lasts multiple generations has a certain something that keeps appealing to audiences. It also has the ability to adapt to the times.
The 2019 version is the second big-screen reboot of the 1970’s television series, Charlie’s Angels. The previous revival hit theaters in 2000. The Angels in this movie are Kristen Stewart (Sabina), Naomi Scott (Elena), and Ella Balinksa (Jane). When Bosley (Sir Patrick Stewart) decides that it is time to retire, his role is taken over by another Bosley (Elizabeth Banks, who also directed the film). The action starts when Elena, who works as a systems engineer, reveals that the technology her company is about to release has the potential to be used for less than honorable motives. Changing careers, Elena becomes part of the team and fights to save the world.
I tried to watch it, but I could only get through the first hour. The best way to describe it is that it has “potential”. This means that it is not good. On the surface, this movie has the hallmarks of both of its predecessors. But whatever “it” is that made both the television program and the 2000 adaptation successful, that certain something is either lacking or non-existent.
Quo Vadis, Aida?: This harrowing tale of one woman’s choice to save her family or save as many people as she can during the Bosnian War is as powerful as a film can get.
Mass: Two sets of parents meet after one of their sons has killed the other in a school shooting to figure what happened. Along the way, they are forced to answer questions that are painful and difficult.
Spencer: This fictional take on Princess Diana (Kristen Stewart) and what might have occured during Christmas in the early 1990’s is a unique take on the myth of the late royal.
Belfast: A young boy is growing up during the Troubles in Northern Ireland in the late 1960’s. As he starts to transition from a child to a young adult, he begins to realize that nothing is ever a simple as it seems to be.
Black Widow: After ten years, Black Widow (Scarlett Johansson) finally gets the movie she should have gotten. Trying to atone for her past while living in the present, she must face reality and make up for mistakes.
Framing Britney Spears: This Hulu documentary took viewers in the life and career of Britney Spears and how it has changed since her father took control over both.
West Side Story: Steven Spielberg’s adapation of this beloved musical takes it into the 21st century while retaing its message about prejudice and lack of opportunity.
The Eyes of Tammy Faye: Jessica Chastain not only brings Tammy Faye Bakker back to life, she reveals the real person behind the punchline.
Shang-Chi and the Legend of the Ten Rings: This latest addition to the MCU is more than just the first all Asian cast. It is the story of a complicated father/son relationship and a young man who cannot run from his fate.
Moxie: A shy teenage girl stands up to the sexist bullshit at school and empowers her fellow female students in the process.
OMG. Spencer is not only one of the best films of the year, but also a surefire contender come award season. Stewart’s Diana is truly exceptional. This is a woman who just wants love, but is treated as a commodity by the ones who are closest to her. She tries to fit in, but it is quite obvious that Diana sticks out like a sore thumb. I have zero complaints about this movie. The tension starts with the opening shot and does not let up until the credits roll. It is gloriously uncomfortable to watch, knowing what we know about Diana’s all too short life.
My favorite aspect of this film is that it destroys the myth that American actors cannot play British characters. While we generally accept British actors (i.e. Man of Steel) playing American characters, the same cannot be said when the situation is flipped. The most frequent complaint is that the accent the performer uses is more of a caricature than the real deal. Stewart is so good in the role that I almost forgot that I was watching a piece of fiction and not a documentary.