The Anne we are introduced to in Greeley’s novel is not the quiet, retiring character that exists in Austen cannon. She is vivid, intelligent, and curious. But because her imperious mother continues to believe that her daughter is unwell, she is prevented from the experiences that she would have had otherwise. Finally gathering enough nerve to break with Lady Catherine, Anne flees to London, where is she welcomed by her cousin, Colonel Fitzwilliam.
When Anne’s strength has recovered, she begins to see what life can truly offer. But being that she has been locked away from society her entire life, she is unprepared for the not so polite underbelly of the season. This includes love with a person that she could have never expected. Anne must not only contend with forbidden romance, but with her mother, who is still determined to rein her daughter in.
I loved this book. This is how fanfiction is done. The balance between what the reader knows about Anne de Bourgh and where Greeley goes with the character is fantastic. I loved the LGBTQ twist that she adds, elevating what could be a predictable narrative into a story that the reader does not see coming.
Her life changes when she meets 1970’s rocker chick Jane on the train. What starts a crush turns into something more. The problem is that Jane cannot leave the subway car. She has been stuck on the subway since the 1970’s. The only way to free Jane is for August to open up and not be afraid of looking back at her past.
To say that I was disappointed in this book is an understatement. I loved her first book. By themselves, the individual elements of this novel are fine. I loved the chemistry between August and Jane. The author perfectly captures the kinetic and sometimes less than glamorous reality that comes with living in NYC. The supernatural twist adds another level that is sometimes missing in the modern romance genre, regardless of the gender and/or sexuality of the lead characters.
The problem is that it is hard to read. It drags on to the point where I nearly put it down several times without finishing it. I did eventually get to the end, but not without feeling like I had pushed on a ten pound weight off my shoulders.
Food is more than the physical nourishment our body needs to function. It can also be stand in for something else in our life that has not been entirely dealt with.
In the new Melissa Broder novel published earlier this year, Milk Fed: A Novel, Los Angeles transplant Rachel was raised Jewish, but those days are long gone. Outside of her job at a talent agency, the most important thing is her physical appearance. She counts calories like the world is ending and can be found after work at the gym, furiously working off whatever she eat earlier that day. Following up on her therapist’s recommendation, she cuts of all communication with her mother for 90 days. Since she was little, Rachel has been constantly reminded to watch what she eat.
Shortly after, she meets Miriam, the zaftig employee behind the counter of one of Rachel’s favorite frozen yogurt places. Miriam is more orthodox in her practice of their mutual faith and intent on making sure that her soon to be new friend is well fed. Taken by Miriam, Rachel goes on a journey of family, faith, sex, and learning to love yourself.
I loved this book. Instead of being one of those obnoxious skinny women who makes the rest of us feel unattractive, Rachel is human, complicated, and completely relatable. I loved her emotional trek as she opened herself up to eating, Miriam (and everything Miriam represented), and learning to let go of the parental criticism that makes itself too comfortable in our consciousness.
Childhood should be a time of love, laughter, friendship, and innocence. But for some children, their early years are far from ideal.
Exile Music: A Novel, by Jennifer Steil, was published this month. Growing up in Vienna in the 1930’s, Orly lives a comfortable life. Her parents are professional musicians and her older brother is well regarded by the neighborhood. When she is not with her family, Orly spends her free time with her best friend, Anneliese. In 1938, her world is shattered by the Nazi invasion and the racial laws that quickly begin to restrict Jewish life.
After her brother flees to Switzerland, Orly and her parents are among the lucky few who find refuge in Bolivia. Settling in La Paz, they are strangers in a strange land. While Orly and her father make due, her mother is not quite ready to give up what they lost. She is also keeping a secret that if got out, could cause trouble. Decades later, when Anneliese comes back into her life, Orly has to make a choice. Does she stay in Bolivia with her family or return to Europe and pick up where she and Anneliese left off?
I really enjoyed reading this book. Orly is relatable character. Her voice and growth throughout the novel felt organic and true to the various stages of life that we go through as we grow up. I also appreciated the undercurrent of the LGBTQ storyline. Instead of feeling forced to make the book stand out, Steil includes in a way that gives her main character a layer and an extra oomph that is not often seen in this genre and this period in history.
Within an upper-class or aristocratic household, the relationship between a member of the family and their valet or lady’s maid is a unique one. Though they are employer and employee, there is an emotional and physical bond that has the potential to go beyond the traditional bounds of the relationship.
The Parting Glass, by Gina Marie Guadagnino, was published in 2019. In the 1830s, in New York City, Mary Ballard’s job is that of lady’s maid to Charlotte Walden, one of the most sought-after young women in society. But Mary is not who she says she is. Her real name is Maire O’Farren. Maire is an Irish immigrant who was forced to leave her homeland after being caught in a compromising position. On her nights off, she frequents the unseemly parts of the city, where she gets involved with a prostitute and drinks with friends who are part of an underground society.
Maire/Mary is caught in a bind. She is in love with her mistress, who is having an affair with Maire/Mary’s brother. When the shit hits the fan, she has a choice to make, which has the potential to result in heartbreak.
I have mixed feelings about this book. I love the concept of the narrative, blending a traditional historical novel with an LGBTQ protagonist and the reality of what it was to be an Irish immigrant during that time period. Though the middle of the story lags at moments, the ending is fantastic, and the details are nothing short of perfection.
“Love is the answer to everything. It’s the only reason to do anything. If you don’t write stories you love, you’ll never make it. If you don’t write stories that other people love, you’ll never make it.” Ray Bradbury