*I apologize for the delay in posting. I should have written this before New Year’s Eve.
Loki: Tom Hiddleston shines once more as Loki, the complicated immortal who has become much more than the standard antagonist. Forced into new circumstances, he goes on a journey that forever changes him.
Ordinary Joe: This new NBC series is the story of one man and three distinct life paths before him. Told concurrently and using different colors for each decision, is is a reminder of how one choice can affect the rest of our lives.
The Book of Boba Fett: This latest entry into the Star Wars universe from DisneyPlus just premiered on December 29th. Though only two episodes have been released, it is already asking questions that are begging for answers.
Behind Her Eyes: Based on the book by Sarah Pinborough, this six part Netflix series about a married man’s affair with his secretary has a delicious ending that is jaw dropping and completely out of left field. Few endings have wowed me as this did.
The beauty of a world like the MCU universe is that the number of stories that can be told is nearly endless. Over the last year or so, DisneyPlus has released four different series that extend the narrative beyond the ones that exist on the big screen. The list below is my ranking of the existing series.
Loki: Tom Hiddleston shines once more as the trickster g-d turned hero. With Owen Wilson as a mid-level bureaucrat and Sophia Di Martino as Sylvie/the Variant, the program takes one of Marvel’s most beloved and iconic characters in surprising directions.
WandaVision: A loving rip-off of the family sitcom over the decades, Elisabeth Olsen and Paul Bettany returned to the roles of Wanda Maximoff and Vision. An allegory of grief and loss, it speaks to how difficult it is to lose the ones we love. The highlight at least for me, was Kathryn Hahn as nosy neighbor/baddie Agatha Harkness. That is a character for the ages
What If…: This animated series takes the narrative into new directions, introducing new storylines and mixing characters in ways that do not fit into the big screen timeline. From a writing perspective, this program is completely unique and a lovely way to take this world to places where it had not been before.
The Falcon and the Winter Soldier: Taking place after Avengers: Endgame, this is sort of a buddy comedy meets series with a not-so-subtle political message. Though it was did not quite hit the mark as other series did, it was still relatively engaging. The addition of Erin Kellyman’s character, who turns from baddie to hero was a nice twist that I happily did not see coming.
Audiences love a good antagonist. They have the ability to make the narrative more interesting and challenge both the protagonist and the audience.
The new DisneyPlus series, Loki, premiered on Wednesday. It start where Avengers: Endgame left off. When Loki (a glorious Tom Hiddleston) is able to get his hands on the Tesseract, he evades justice. But it is a short escape. Captured by the Time Variance Authority or TVA, he is accused of changing the timeline. His minder, Mobius (Owen Wilson) is in charge of building the TVA’s case against the prisoner. But when a greater evil emerges, Loki may turn from villain to hero.
What a way to kick off a new series. Hiddleston, Wilson, and company are having fun and it shows. I loved the transition from Loki being a straight up baddie to a complicated character who you want to root for, in spite of his past. Kudos goes to the production design team who created a set colored by shades of 1970’s brown and burnt orange. It is a nice change from the bright and colorful world that the Avengers live in.
Do I recommend it? Absolutely.
New episodes are released every Wednesday on DisneyPlus.
*Warning: this review contains mild spoilers. Read at your own risk.
A sequel of a sequel of a superhero movie walks a fine line. It has to be entertaining, but it also has to extend the narrative and the character arc in a way that feels right to both the universe and the characters.
Two weeks ago, Thor: Ragnarok hit theaters. Odin (Anthony Hopkins) is no longer of this world. His previously unknown first child, Hela (Cate Blanchett), otherwise known as the Goddess of Death has returned from exile to return Asgard to the way it was before her exile. But to do this, she has to make sure that her brothers, Thor (Chris Hemsworth) and Loki (Tom Hiddleston) are out-of-the-way. They find themselves in another world where Thor is a gladiator and fighting against The Hulk (Mark Ruffalo). This world is ruled by Grandmaster (Jeff Goldblum), who might be crazy. With the help of Valkyrie (Tessa Thompson), Thor, Loki and The Hulk might be able to defeat Hela and save Asgard.
If there was a proper way to do a second sequel, especially for a movie which is based on a comic book, this film is the blueprint. It is funny, entertaining and takes the narrative and characters in new directions without feeling stale or overproduced. And of course, the two female characters, played by Tessa Thompson and Cate Blanchett are amazing. They contribute to the narrative, both standing on their own two feet and neither relying on the stereotypical female caricatures that exist in the genre.
There are some movies where one movie is more than enough, making a sequel is a waste of time for the film makers and the audience. Thor: The Dark World, is not one of those movies.
The movie starts 2 years after the previous movie. Thor (Chris Helmsworth) has been fighting to bring peace to the nine realms. When Jane Foster (Natalie Portman) is pulled into the conflict between Asgard and The Dark Elves, led by Malekeith (Christopher Eccleston), Thor must choose between his destiny and the woman he loves. In his desperation, he must turn to Loki (Tom Hiddleston) for help.
Despite what some reviewers have said, this movie is so good. Its just about 2 hours long, but it doesn’t feel 2 hours long. While Thor is the title character, Hiddleston is dynamic and unpredictable as Loki.
My only complaint is that the Jane Foster is, except for a few scenes, relegated to the traditional love interest/damsel in distress. The only scenes with strong female characters are not as numerous as I would like. But overall, this movie is excellent and highly recommended.
And don’t leave right after the credits. There is some fun stuff afterwards.