The natural evolution of a narrative may seem simple to write. But the truth is that it is not. The next step in the story has to hold onto the characters and narrative while ensuring that it is not forced or outlandish. It becomes more complicated when the original work is respected and appreciated by both fans and critics.
Legally Blonde 2: Red, White & Blonde (2003) is the sequel to Legally Blonde (2001). Elle Woods (Reese Witherspoon) has a new passion: animal rights. It is so important to her, that she prioritizes the issue over her wedding to Emmett Richmond (Luke Wilson). Arriving in Washington D.C., she turns to Congresswoman Rudd (Sally Field) to help her bring attention to the issue. She also gets help from Sid Post (Bob Newhart), her building’s doorman who provides guidance in how to navigate the figurative power corridors of the city. As in the previous film, Elle is an outsider who is initially judged a pretty blonde with nothing between the ears.
As sequels go, it’s pretty good. The screenplay does not feel like it was being stretched to fit within the world that was created in its predecessor. The film is funny, charming, and Witherspoon again makes us root for an unlikely heroine. The message of not judging a book by its cover is potent, but does not hit the audience over the head. It is a lesson that is forever universal and important.
Do I recommend it? Yes.