The antihero is an interesting character type. Though this person does eventually save the day, their motives and actions do not match what is expected of a heroic protagonist.
In the 2018 film Venom (based on the comic book character of the same name), Eddie Brock (Tom Hardy) is a former reporter whose career is in shambles after an interview does not go as planned. Six months later, he discovers a symbiote from outer space named Venom and becomes bonded with it. Among the things that are ruined by this new “relationship” is his attempt to get back with his ex-fiance, Anne Weying (Michelle Williams). Anne was employed as a lawyer before Eddie’s mishap ended her employment and their engagement.
Before this movie, I was vaguely aware that Venom existed within the world of Spider-Man. I tried to watch it, mainly because of the lead actors. Hardy and Williams are two of the finest actors of their generation. The problem is that I was quickly bored and lost interest in the narrative.
A secret is only as powerful as its content. Its corrosivity is based on the power it has and how it controls those who know the truth. It can be as benign as stealing a candy bar from the local convenience store as a child. On the other hand, it can be as destructive as having cheated on your significant/spouse for decades.
Compared to other individual IP continuations with the Marvel universe, it’s slightly weaker. That being said, it is not a complete dumpster fire. Even with the narrative’s darker turns, it is still fun to watch and an entertaining film.
Ridley Road: This PBS/Masterpiece program is based on the book of the same name by Jo Bloom. It tells the story of a young woman of Jewish descent in the 1960s who goes undercover to stop a Neo-Nazi group from destroying the UK.
Elvis: Austin Butler transforms himself into Elvis Presley, adding new layers to the music icon.
Call Jane: Elizabeth Banks plays a housewife whose pregnancy is not going well in the days before Roe v. Wade. Denied an abortion by the local hospital, she finds an underground group and soon joins them in their mission to help women.
Hocus Pocus 2: After 29 years, the Sanderson sisters are back. It has enough of its predecessor while holding its own in the best way possible.
Mr. Malcolm’s List: Based on the book of the same name by Suzanne Allain, Mr. Malcolm is the most coveted bachelor in this Jane Austen-inspired narrative. In order to fend off marriageable young ladies and their match-making mamas, he creates a list of qualities that his wife should have. Little does he know that it will soon be moot.
Downton Abbey: A New Era: This second film in the franchise opens the door to new stories while closing old ones in perfect fashion.
The truth about life is that it is complicated. We are often juggling multiple things at the same time, making decisions as to what is important and what can be put aside for the moment.
Spider-Man 2 (2004) is the sequel to the 2002 film, Spider-man. Since we last saw Peter Parker/Spider-Man (Tobey Maguire) has dealt with a series of personal disasters. While continuously saving the world, his grades are falling fast, he cannot keep a job and he is being attacked in the press as a criminal. On top of all that, Peter’s relationship with Mary Jane Watson (Kirsten Dunst) is no more.
All signals are pointing to the end of his career as a superhero. Then an accident turns Dr. Otto Octavius (Alfred Molina) into the villainous Doc Ock. Instead of putting his mask away for good, Peter has no choice but to do his thing and stop Doc Ock before he destroys the city.
This one is not bad. The narrative flows nicely from the previous movie, creating more trouble for our leading man. Moving from adolescence to early adulthood, Peter is learning how to keep several figurative plates spinning in the air at the same. The problem with this is that one or more of these plates will eventually fall to the ground and crack into pieces.
My problem with his movie is the usual issue. The women in this film are constrained to the love interest/damsel in distress/spouse and maternal figures, not giving them room to stand on their own two feet.
Together with his friend, Wong (Benedict Wong), he has to keep America safe from Scarlett Witch/Wanda Maximoff (Elizabeth Olsen). She wants to use the girl’s powers to get back to the fictional children she created within the world of WandaVision. Nothing and no one who will stop her from getting back to her boys. The only person who can save the world and the multiverse is Doctor Strange.
This movie is absolutely amazing. I would even go so far as to say that I would rank it in the top 5 of MCU movies. Making a sequel to one story is hard enough. Making two of them and marrying them into a larger tale is twice as hard. I loved the surprising horror elements, the underlying emotions that drove the characters, and the ending that is absolutely perfect.
Do I recommend it? Absolutely. I wouldn’t be surprised if it was top ten lists of movies come the end of the year.
Doctor Strange in the Multiverse of Madness is presently in theaters.
P.S. As usual, stay for the mid-credit scene. There are two of them, so I recommend staying until the very end.
The beauty of a world like the MCU universe is that the number of stories that can be told is nearly endless. Over the last year or so, DisneyPlus has released four different series that extend the narrative beyond the ones that exist on the big screen. The list below is my ranking of the existing series.
Loki: Tom Hiddleston shines once more as the trickster g-d turned hero. With Owen Wilson as a mid-level bureaucrat and Sophia Di Martino as Sylvie/the Variant, the program takes one of Marvel’s most beloved and iconic characters in surprising directions.
WandaVision: A loving rip-off of the family sitcom over the decades, Elisabeth Olsen and Paul Bettany returned to the roles of Wanda Maximoff and Vision. An allegory of grief and loss, it speaks to how difficult it is to lose the ones we love. The highlight at least for me, was Kathryn Hahn as nosy neighbor/baddie Agatha Harkness. That is a character for the ages
What If…: This animated series takes the narrative into new directions, introducing new storylines and mixing characters in ways that do not fit into the big screen timeline. From a writing perspective, this program is completely unique and a lovely way to take this world to places where it had not been before.
The Falcon and the Winter Soldier: Taking place after Avengers: Endgame, this is sort of a buddy comedy meets series with a not-so-subtle political message. Though it was did not quite hit the mark as other series did, it was still relatively engaging. The addition of Erin Kellyman’s character, who turns from baddie to hero was a nice twist that I happily did not see coming.
The question of what if is a powerful one. We make choices and live with the consequences, for better or for worse. But what would happen if we had said or done something differently? Or if things did not go as they had?
This is the premise of the new DisneyPlus animated Marvel series. Premiering last Wednesday, it takes the narratives we know and flips them on their head. The first episode focuses on Captain America. When Steve Rogers (voiced by Josh Keaton) goes into the machine to become the super soldier that will end World War II, the end result is not as expected. A glitch causes it to temporarily break down. Jumping into action, Peggy Carter (voiced by Hayley Atwell, reprising her role from the live action films) becomes Captain Carter and leads the fight against tyranny and destruction.
The first episode is incredibly good. It was everything I expected it to be and more. I loved the twist that it was Peggy Carter who became the super soldier and not Steve Rogers.
Do I recommend it? Absolutely.
What If…? is available for streaming on DisneyPlus. New episodes premiere every Wednesday.