When we are very young, we play with a certain group of toys. When we grow up, our toys change dramatically.
Toy Story 3 is the third film within the Toy Story franchise. Andy (voiced by John Norris) is just about to leave for college. The toys he once considered to be beloved friends are supposed to be taken to the attic. But instead, they are donated to a daycare center.
The treatment they receive from the children at the daycare is a complete 180 from how Andy loved and treasured them. Woody (voiced by Tom Hanks), Buzz Lightyear (voiced by Tim Allen), and co are now being handled by sticky-fingered toddlers who lack the respect of Woody and Buzz’s former owner.
If they are to get home, they must convince the disillusioned Lotso (voiced by Ned Beatty) that they were all once loved. Helping the boys in their quest is Barbie (Jodie Benson), who is working with her counterpart Ken (Michael Keaton) to free them all.
This movie is adorable, funny, and fits well into the overall story within the franchise. It also speaks of the fact that we all grow up eventually. What we once loved will eventually be consigned to the past and will be replaced by something entirely different.
Challenging Kenneth are two surviving spouses. Charles Wolf (Stanley Tucci) lost his wife when the Twin Towers fell. A community organizer, he is continually nipping at the team’s feet, pushing them to think with their heart and not with their calculators. Karen Donato (Laura Benanti) is torn between her needs and what she is hearing from her brother-in-law.
Kenneth knows that the task he has ahead of him will be grueling, in every sense of the word. Money can never replace the ones we love. Whatever happens, he knows that he must succeed, even with the difficulties that lay before him.
This movie is riveting and powerful. Based on a true story, it is a reminder that the souls who died that day were not just names on a spreadsheet. They were human beings whose loss represent a black hole that can never be filled. It also a reminder that there is still hope in this world. Kenneth starts the film as the typical cynical bureaucrat who is just doing his job. By the end of the film, he understands the grief and heartache of those who he is trying to help.
The purpose of religious observance is to provide community and structure to the ins and outs of our daily lives. That does not mean, however, that some within the clergy will use their power for less than honorable means.
When this movie originally came out six years ago, I tried to see it in the theater. There is a reason why it was sold out. It is gripping, intelligent, and a bare knuckle ride from start to finish. This is why we go to the movies. It is also a reminder of why journalism is so important and can never be overlooked.
Satire is a beautiful thing. But it has to be done right.
The 1984 film, Johnny Dangerously is a satire of the gangster flicks of the 1930’s and 1940’s. Johnny Kelly/Johnny Dangerously (Michael Keaton) is devoted to his sick mother. Unless she is able to pay for several expensive operations, she will die.
The only way for Johnny to pay for the operations is to turn to a life of crime. This of course, is not smooth sailing, especially when he crosses paths with Danny Vermin (Joe Piscopo) and gets involved romantically with Lil (Marilu Henner).
The reviews of this film, back in the day, were a mixed bag. To be fair, the criticism is warranted. Though there is plenty of material to spoof, at some point, I want the narrative and not an easy gag.
Over the past few years, Disney is intend on using our childhood memories to bring us once more to the movie theaters. This weekend, the reboot of Dumbo (1941) was released.
Holt Farrier (Colin Farrell) has just returned home from fighting in World War I, sacrificing one of his arms in the process of fighting for his country. His wife died during the war, leaving his two children Milly (Nico Parker, Thandie Newton‘s daughter) and Joe (Finley Hobbins) motherless. Stuck in the past, Holt is unable to move forward until his boss and circus owner Max Medici (Danny DeVito) puts Holt in charge of the elephants. One of the female elephants has just given birth, the newborn elephant has unusually large ears that allow him to fly. After the circus has a bit of success with the new elephant, named Dumbo, V.A. Vandervere (Michael Keaton) takes notice of the little elephant. He wants to add Dumbo to Colette Marchant’s (Eva Green) aerialist act. But Vandervere’s plans are not completely altruistic; he has some plans up his sleeve that are questionable.
First of all, I have to give kudos to the screenwriters. Not only did smartly remove the racist caricatures of the crows, but they used Dreamland as the background for the second half of the movie. Dreamland is not a well-known subject unless one is well versed in the history of New York City or early 20th century amusement parks.
I haven’t seen the original animated film in quite a few years, but I feel like this reboot is close enough in narrative to its predecessor. What is nice about this film is that not only is not the typical slightly out-there Tim Burton film, but it speaks of animal cruelty and gives Milly, as a budding scientist, her due.