This season is amazing. Among the main cast, Staunton and Debicki are the standouts. Staunton perfectly follows in the footsteps of her predecessors, Claire Foy and Olivia Coleman. Debicki’s performance as Diana is award-worthy. If I close my eyes and just listen to her, I almost expect that it is the real person, not an actor playing a part.
The only thing that we have to remember is that this is not a documentary. The show is fiction. Some of what we are watching has been made up and not based on actual events.
While ensuring that both of her boys know what their responsibilities and futures will be like, she also gave them the opportunity to be ordinary kids. After her untimely passing, they grow up (with the usual and unusual hurdles due to the family they were born into) into responsible men, husbands, and fathers who continue Diana’s legacy.
What struck me was that Diana learned how to work within the system while rebelling against a way of life that may seem archaic to some. Her love for her sons, specifically when her marriage to Prince Charles (now King Charles III) was falling apart, was evident from the word go. Even when her own mental health issues weighed heavily on her, her boys still came first.
Choosing to live and parent as she did, she set up William and Harry to become empathetic and understanding of the idea that not everyone lives like they do. In doing so, she set the English monarchy on a path that allows tradition and modernity to exist concurrently.
Do I recommend it? Yes.
Diana, William, and Harry: The Heartbreaking Story of a Princess and Mother is available wherever books are sold.
OMG. Spencer is not only one of the best films of the year, but also a surefire contender come award season. Stewart’s Diana is truly exceptional. This is a woman who just wants love, but is treated as a commodity by the ones who are closest to her. She tries to fit in, but it is quite obvious that Diana sticks out like a sore thumb. I have zero complaints about this movie. The tension starts with the opening shot and does not let up until the credits roll. It is gloriously uncomfortable to watch, knowing what we know about Diana’s all too short life.
My favorite aspect of this film is that it destroys the myth that American actors cannot play British characters. While we generally accept British actors (i.e. Man of Steel) playing American characters, the same cannot be said when the situation is flipped. The most frequent complaint is that the accent the performer uses is more of a caricature than the real deal. Stewart is so good in the role that I almost forgot that I was watching a piece of fiction and not a documentary.
In addition to the internal family drama, there is political and economic upheaval beyond the walls of Buckingham Palace.
I binge watched a good chunk of the new season last night. It is nothing short of fantastic. I loved the new additions to the cast. Corrin brings a humanity to her role and adds to the mystique of the real woman behind the character.
If there is one actor among the main players who deserves an award for her work, it is Gillian Anderson. I am the first to admit that my knowledge of Thatcher’s work as Prime Minister is limited. But I know enough to know that then and now, she is a polarizing figure. As the character, Anderson plays a ball busting, glass ceiling shattering woman who is as formidable as the Queen.
The thing I really enjoyed so far is the complete 180 of how Charles is viewed. Last season, he was a young man trying to out who he was as a human being while dealing with burden of responsibility placed upon his shoulders. This season, he still draws empathy, but not as much as did during season 3.
20 years ago today, Princess Diana was killed in a car crash. She was 36.
When she married Prince Charles in 1981 at the young age of 19, she looked every inch of the fairy tale princess who had found her prince.
But life, as we know it to be, is not a fairy tale. It is complicated, it contains unforeseen twists and turns and can be heartbreaking.
The thing that I see in the memories of her is a pliable, caring, innocent young woman, who persevered through the sh*t that was thrown at her and learned to not only stand on her own two feet, but also make a life of her own choosing.
In finding her backbone and learning to stand on her own two feet, Princess Diana not only increased her icon status, but also became a heroine to those who find themselves fighting to develop their own backbone.
As many other have said before, if we remember her for nothing else, we remember that she was amazing mother. Her sons, Prince William and Prince Harry have grown into men that I am sure their mother would be nothing but glowing about. As a mother-in-law to Catherine and a grandmother to George and Charlotte, she would have been a light of modernity and love in the darkness of blind tradition.
RIP Princess Diana. Your legacy of love, strength, compassion, and humanity will last forever.
The play, King Charles III, adds to the what if quality of the fairy tale. It is set in an alternative world where Queen Elizabeth II has died and Prince Charles has ascended to the throne. But his time as King is shaky and those closest to him begin to question if Charles can wear the crown.
Last night, PBS aired a television adaptation of the play. Several actors from the play returning to their stage roles; the late Tim Pigott-Smith (Charles), Margot Leicester (Camilla), Oliver Chris (William) and Richard Goulding (Harry). Stepping the roles for the first time were Charlotte Riley (Kate) and Jess (Tamara Lawrance).
While I did not see the play I found the television adaptation interesting. It was interesting because what’s behind closed doors is often more fascinating than the face that we put out for the world to see. Bringing the audience into a world that few of us will ever see added to the heightened drama and the suspense of what questioning if Charles could be successful as King Of England was the hook I needed.