This season is amazing. Among the main cast, Staunton and Debicki are the standouts. Staunton perfectly follows in the footsteps of her predecessors, Claire Foy and Olivia Coleman. Debicki’s performance as Diana is award-worthy. If I close my eyes and just listen to her, I almost expect that it is the real person, not an actor playing a part.
The only thing that we have to remember is that this is not a documentary. The show is fiction. Some of what we are watching has been made up and not based on actual events.
This book is fantastic. I wish I had had a teacher like Marion when I was young. She is caring, compassionate, stern when she needs to be, and able to educate her pupils in a way that goes beyond what can be found in textbooks. I also appreciated that in the novel, Ms. Holden does not judge Wallis Simpson as other works of fiction have. Depending on the material and the perspective, she is either the wicked woman who tempted a king away from his throne or a romantic icon who followed her heart.
Their father and mother were now King and Queen. Elizabeth, as the heir presumptive and Margaret, the new spare, would have a completely different life. Elizabeth lived and breathed duty. Her life was on the straight and narrow. Margaret was the rebellious wild child, sometimes submitting to the responsibilities of being a working royal and other times living on her own terms.
Do I recommend? Absolutely.
Elizabeth and Margaret: Love and Loyalty is available for streaming on Netflix.
In addition to the internal family drama, there is political and economic upheaval beyond the walls of Buckingham Palace.
I binge watched a good chunk of the new season last night. It is nothing short of fantastic. I loved the new additions to the cast. Corrin brings a humanity to her role and adds to the mystique of the real woman behind the character.
If there is one actor among the main players who deserves an award for her work, it is Gillian Anderson. I am the first to admit that my knowledge of Thatcher’s work as Prime Minister is limited. But I know enough to know that then and now, she is a polarizing figure. As the character, Anderson plays a ball busting, glass ceiling shattering woman who is as formidable as the Queen.
The thing I really enjoyed so far is the complete 180 of how Charles is viewed. Last season, he was a young man trying to out who he was as a human being while dealing with burden of responsibility placed upon his shoulders. This season, he still draws empathy, but not as much as did during season 3.
Behind every icon is a human being with the same joys and flaws as the rest of us. But when this person becomes that icon, their humanity is often forgotten.
The Crown premiered in 2016 on Netflix. It tells the story of Queen Elizabeth II (Claire Foy). The series starts with her wedding to Prince Phillip, Duke of Edinburgh (Matt Smith) in 1947. It appears the young couple has many years ahead of them to live as ordinarily as they can. Then Elizabeth’s father, King George VI (Jared Harris) dies. Thrust into the role of Queen, she is walking the fine line that many working mothers do between the job and taking care of your family. If that was not enough, her younger sister, Princess Margaret (Vanessa Kirby) can only be described as a rebel who has all of the luxuries and none of the responsibilities the sovereign.
I am only the beginning of the second season. To say that I am hooked is an understatement. As both a history buff and a feminist, I find this fictional Queen Elizabeth to fascinating. She wants to be an ordinary wife and mother. But fate had other plans for her.
Her story is told in the new novel, The Other Windsor Girl: A Novel of Princess Margaret, Royal Rebel, by Georgie Blalock. Through the eyes of Vera Strathmore, the daughter of an impoverished aristocratic family, the viewer is swept into the world of Princess Margaret. At the beginning of the novel, Margaret is young, spoiled, passionate and tempestuous. Vera, still hurting from the death of fiance during World War II, is a writer who dreams of moving to New York.
A chance encounter with Margaret changes Vera’s life and her priorities. Drawn into Margaret’s inner circle, Vera watches as she falls madly in love with Peter Townsend. Peter works for the royal household, is older and married. Despite the criticism, Margaret is determined to have her man.
While Margaret is cordoned into royal responsibilities, Vera begins to wish to be untied from a life tied to the Princess. Soon another scandal envelopes Margaret and Vera must choose how she wants to spend the rest of her life.
This book is brilliant. There is a perception when it comes to royalty, that living that life is akin to a fairy tale. But the reality of that is life far from the fairy tale that it is perceived to be. In telling Princess Margaret’s story through the eyes of Vera, the viewer is taken to a world that is essentially a golden cage. It is a cage that when perceived from within, can be unappealing.
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