This book is fantastic. I wish I had had a teacher like Marion when I was young. She is caring, compassionate, stern when she needs to be, and able to educate her pupils in a way that goes beyond what can be found in textbooks. I also appreciated that in the novel, Ms. Holden does not judge Wallis Simpson as other works of fiction have. Depending on the material and the perspective, she is either the wicked woman who tempted a king away from his throne or a romantic icon who followed her heart.
Their father and mother were now King and Queen. Elizabeth, as the heir presumptive and Margaret, the new spare, would have a completely different life. Elizabeth lived and breathed duty. Her life was on the straight and narrow. Margaret was the rebellious wild child, sometimes submitting to the responsibilities of being a working royal and other times living on her own terms.
Do I recommend? Absolutely.
Elizabeth and Margaret: Love and Loyalty is available for streaming on Netflix.
In addition to the internal family drama, there is political and economic upheaval beyond the walls of Buckingham Palace.
I binge watched a good chunk of the new season last night. It is nothing short of fantastic. I loved the new additions to the cast. Corrin brings a humanity to her role and adds to the mystique of the real woman behind the character.
If there is one actor among the main players who deserves an award for her work, it is Gillian Anderson. I am the first to admit that my knowledge of Thatcher’s work as Prime Minister is limited. But I know enough to know that then and now, she is a polarizing figure. As the character, Anderson plays a ball busting, glass ceiling shattering woman who is as formidable as the Queen.
The thing I really enjoyed so far is the complete 180 of how Charles is viewed. Last season, he was a young man trying to out who he was as a human being while dealing with burden of responsibility placed upon his shoulders. This season, he still draws empathy, but not as much as did during season 3.
Behind every icon is a human being with the same joys and flaws as the rest of us. But when this person becomes that icon, their humanity is often forgotten.
The Crown premiered in 2016 on Netflix. It tells the story of Queen Elizabeth II (Claire Foy). The series starts with her wedding to Prince Phillip, Duke of Edinburgh (Matt Smith) in 1947. It appears the young couple has many years ahead of them to live as ordinarily as they can. Then Elizabeth’s father, King George VI (Jared Harris) dies. Thrust into the role of Queen, she is walking the fine line that many working mothers do between the job and taking care of your family. If that was not enough, her younger sister, Princess Margaret (Vanessa Kirby) can only be described as a rebel who has all of the luxuries and none of the responsibilities the sovereign.
I am only the beginning of the second season. To say that I am hooked is an understatement. As both a history buff and a feminist, I find this fictional Queen Elizabeth to fascinating. She wants to be an ordinary wife and mother. But fate had other plans for her.
Her story is told in the new novel, The Other Windsor Girl: A Novel of Princess Margaret, Royal Rebel, by Georgie Blalock. Through the eyes of Vera Strathmore, the daughter of an impoverished aristocratic family, the viewer is swept into the world of Princess Margaret. At the beginning of the novel, Margaret is young, spoiled, passionate and tempestuous. Vera, still hurting from the death of fiance during World War II, is a writer who dreams of moving to New York.
A chance encounter with Margaret changes Vera’s life and her priorities. Drawn into Margaret’s inner circle, Vera watches as she falls madly in love with Peter Townsend. Peter works for the royal household, is older and married. Despite the criticism, Margaret is determined to have her man.
While Margaret is cordoned into royal responsibilities, Vera begins to wish to be untied from a life tied to the Princess. Soon another scandal envelopes Margaret and Vera must choose how she wants to spend the rest of her life.
This book is brilliant. There is a perception when it comes to royalty, that living that life is akin to a fairy tale. But the reality of that is life far from the fairy tale that it is perceived to be. In telling Princess Margaret’s story through the eyes of Vera, the viewer is taken to a world that is essentially a golden cage. It is a cage that when perceived from within, can be unappealing.
The play, King Charles III, adds to the what if quality of the fairy tale. It is set in an alternative world where Queen Elizabeth II has died and Prince Charles has ascended to the throne. But his time as King is shaky and those closest to him begin to question if Charles can wear the crown.
Last night, PBS aired a television adaptation of the play. Several actors from the play returning to their stage roles; the late Tim Pigott-Smith (Charles), Margot Leicester (Camilla), Oliver Chris (William) and Richard Goulding (Harry). Stepping the roles for the first time were Charlotte Riley (Kate) and Jess (Tamara Lawrance).
While I did not see the play I found the television adaptation interesting. It was interesting because what’s behind closed doors is often more fascinating than the face that we put out for the world to see. Bringing the audience into a world that few of us will ever see added to the heightened drama and the suspense of what questioning if Charles could be successful as King Of England was the hook I needed.
No one goes through life without at least one youthful rebellion to call their own. Not even royalty.
In the 2015 film, A Royal Night Out, World War II has just ended. The British people have taken to the streets, elated that the war is over.
Inside Buckingham Palace, Princess Elizabeth (Sarah Gadon) and Princess Margaret (Bel Powley) are eager to join in the celebration. But their parents, the King and Queen of England (Rupert Everett and Emily Watson) would prefer that their daughters celebrate within the castle walls. With a little bit of coaxing from the girls, permission is granted by the King And Queen. But there are a few caveats: the girls must stay with the soldiers who have been assigned to chaperone them, attend only approved events and be home by a certain time.
The exact opposite occurs. Combining the elements of adventure, the potential of young romance and a little youthful rebellion, this film introduces audiences of a certain age to a new side of Queen Elizabeth II: young, eager for adventure and willing to take a few risks.
What I like about this film is that it speaks to all us. We have all, in own unique ways, rebelled against the constrictions placed upon by our elders. There is a danger and an excitement to that rebellion, regardless of the details of the rebellion.
Her early years could have not, by any stretch of the imagination, predicted her success as a writer during her adult years.
The third child of Patrick and Maria Bronte, Charlotte tragically became the oldest child after her two older sisters, Maria and Elizabeth died of childhood disease. After Mrs. Bronte died soon after the birth of her youngest child, Patrick Bronte raised his children with the help of his sister-in-law.
As an adult, Charlotte Bronte was her father’s daughter. An early feminist and a great reader, Bronte’s most famous novel Jane Eyre is the story of an orphaned young woman who overcomes all of the barriers that Victorian society placed before her to find happiness.
Sitting on the throne since the late 1940’s, she has surpassed her great-great- grandmother, Queen Victoria as the world’s longest reigning monarch.
Taking the throne in an era when women were told that their lives were best spent as wives and mothers, she proved that a woman is capable to maintaining a career while living the traditional life of a wife and mother.
Born in 1926 to the Duke and Duchess of York, Elizabeth was not expected to become Queen. Her father (who would only ascend to the throne after his elder brother abdicated to marry his American mistress) would later become King George VI, was the second son. Having no brothers or close male relations who could step in front of her, Elizabeth, the first-born of two daughters, became heir to the throne when her father became King. The book starts with an overview of Elizabeth’s family tree and includes her great-great-grandmother, Queen Victoria. It then takes the reader through Elizabeth’s life up to her 25th year, when she ascended to the throne.
As an Anglophile, a history nerd and a feminist, I found this book to be very interesting. History is full of Kings, but Queens, especially ones that have ruled for as long as Elizabeth has are far and few between. However, the writing tends to be dry in some areas. I get that this is a memoir and not a novel. However, that does not mean that the writing cannot have a life and a bounce to it. I enjoyed it, but someone who does not have the interests I have may not.