I hope and believe that anyone’s greatest wish is to love and be loved in return, regardless of who they are.
Alexis Hall‘s new regencyromance novel, A Lady for a Duke, was published last month. Up until Waterloo, Viola Caroll hid her true self. When it appeared that she did not survive, she took the opportunity to become the woman she knew she was inside. But there was a price to pay for being herself.
Among her losses is her best friend Justin de Vere, the Duke of Gracewood. When they reunite years later, Gracewood is a shadow of his former self. Relying on alcohol and other substances to dull the pain, he has become a recluse who is living in the past.
Doing everything she can to bring back the man she knew, new feelings of both the physical and emotional kind bubble to the surface. Viola wants to tell Justin the truth, but doing so may cost her everything she has fought for.
I love that the cover is giving me Beauty and the Beast vibes. I also love that the heroine is transgender. It was a lovely change to a genre and a narrative that many of us know all too well. The problem is that the spark between the main characters is missing. While the author does a great job of keeping us in Viola and Justin’s heads, the all-important “will they or won’t they?” question is missing. I badly wanted to root for them. But the chemistry that should have pulled me in was simply not there.
Towards the end of Jane Austen‘s novel, Persuasion, there is a conversation about books and the portrayal of women within the world of literature. This conversation ends with the following statement that is as true in Austen’s time as it is in ours.
“Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree; the pen has been in their hands. I will not allow books to prove anything.”
The new non fiction book, Mad and Bad: Real Heroines of the Regency, was published in the fall. Written by Bea Koch (co-owner of the Los Angeles area bookstore, The Ripped Bodice), the book tells the story of women who did not fall in the White/upper class/Heterosexual/Christian category. It shines the spotlight of women of color, Jewish women, female members of the LBGTQ community, and women who actively chose to step out of the boundaries of what was considered to be appropriately “feminine”.
I wish that this book had been around when I was younger. It is one of the best history books I have read in a long time. It is educational, entertaining, and a reminder that there have always been women who have been willing to buck tradition to follow their own path.
A good romance has the power to metaphorically sweep the audience off their feet.
The new Netflix series, Bridgeton premiered on Friday. Set in Regency era England, the program follows the romantic trials and tribulations of the eight children of the widowed Lady Violet Bridgerton (Ruth Gemmell). Her children are named in alphabetical order, from A-H. It is based on the book series by Julia Quinn and the first book in series (The Duke and I). The female protaganist is Lady Bridgerton’s eldest daughter, Daphne (Phoebe Dynevor), who is entering her first Season.
The initial response to Daphne, according to the unseen narrator and gossip Queen, Lady Whistledown (voiced by Julie Andrews), is that she is the one to watch. But before Daphne can enjoy the spotlight, she is downgraded by Lady Whistledown to persona non grata. On the flip side, the husband that every match-making mama wants for her daughter is Simon Basset, Duke of Hastings (Regé-Jean Page). Having recently come into the title after the death of his father, Simon has made it clear that he is content to remain a bachelor for the rest of his days.
Simon and Daphne have a plan. They will pretend to court. He will appear to be spoken for and she will have more suitors than she knows what do with. But like many plans, there is a hitch. Somewhere along the way, their relationship begins to change.
Bridgerton is easily the best new television program of the year. In a nutshell, it is Jane Austen meets Shondaland. I love the diversity, I love the characters, and I love the smart and capable women who populate this world.
This Regency nerd is ready for season 2. Do I recommend it? Absolutely.
There is nothing like a good BPD (British Period Drama). It has the power to sweep the audience into another world and for a short time, take them away from their everyday life.
The full trailer for the new Shondaland Netflix series, Bridgerton, premiered earlier today. Based on the series of books by Julia Quinn, the audience is introduced to the influential Bridgerton family living in Regency England. As the program progresses, they deal with the ups and downs that are unique to that world and that era.
The characters and the narrative are in the vein of Jane Austen, but the stories are not specifically based on any Austen novel.
I am intrigued by the casting of Julie Andrews as Lady Whistledown, the all knowing gossiping narrator who, according to the trailer is only heard, but not seen.
From a writing perspective, the couple pretending to be in love to get others off their back is one of those storylines that is used semi-regularly. The question is if the writer(s) make it their own or just copy what has been done before.
I am really excited for program. I can only hope that the promises made in the trailer are kept.