“Imitation is the sincerest form of flattery that mediocrity can pay to greatness.”
For two centuries, writers have tried to capture the magic in Jane Austen‘s novels. She is one of those authors whose writing seems easy to replicate. But, upon further inspection, the discovery often is that it is much more difficult than it seems to be.
Yesterday, the trailer for Modern Persuasionwas released. It is basically the modern rom-com version of Persuasion. Playing the 21st century Anne Elliott and Captain Frederick Wentworth are Alicia Witt and Shane McRae.
I’m willing to give this movie a shot. However, two things immediately come to mind. The first is that the title feels incredibly lazy. It’s as if it was the working title for the first draft of the screenplay that the writers didn’t bother changing. It is possible to create a modern Jane Austen adaptation and be creative with the title.
The second is that based strictly on the trailer, it feels like the standard romantic comedy. Granted, the trailer is not the move in its entirety. But, the only initial connection so far that the film is based on an Austen novel is the mention of the Laconia (scroll down to the bottom of the page in the link for the reference).
Only time will tell if the film is a success or a failure. Either way, it will be a point of contention for the Janeite community for years to come.
From the time we are very young, we are told that we must always tell the truth. But the truth is sometimes hard to hear.
Back in 2009, The Invention of Lying hit theaters. The movie told the story of Mark Bellison (Ricky Gervais), a writer whose is about to lose his job. Living in a world in which lies don’t exist, everything changes when tells his first fib. Soon he has everything he has ever wanted, except for the love of his longtime crush, Anna McDoogles (Jennifer Garner).
If I was being generous, I would give this movie an A for effort. It genuinely tries to entertain the audience. But the reality is that it is bad. The problem is that it relies too heavily on the clichés of the romantic comedy genre. It’s one thing to use the clichés of any genre. But it is another thing to use them as a crutch and not as a narrative skeleton to build up the story and characters.
There are romantic comedies and then there are romantic comedies. The first type of romantic comedy is semi-memorable, but when it comes down to it, the audience does not think of the film after they have the left the theater. The second second type of romantic comedy has legs long after the film has left the theater. It remains a favorite of audiences and critics and is celebrated as a hallmark of the genre.
When Harry Met Sallyis one of these films. This month is the 30th anniversary of the film’s release.
Harry Burns (Billy Crystal) and Sally Albright (Meg Ryan) meet just after they both graduate from the University of Chicago. She offers him a ride from Chicago to New York. They become friends, but come together and drift apart as life changes. After a series of failed relationships on both their parts, Harry and Sally reconnect. The question that defines their relationship is as follows: can men and women be friends without sex getting in the way?
Directed Rob Reiner, this film is an out and out classics. It has all of the hallmarks of the romantic comedy genre without stretching the patience of the audience. Ryan and Crystal have amazing chemistry and just work as the friends who might or might be something more.
It has one of the iconic scenes and one of the most iconic lines in movie history set in one of the best restaurants in New York City, the 2nd Ave Deli.