Warning: This post contains spoilers about the Netflix series, Behind Her Eyes. Read at your own risk if you have not seen it in full.
The mingling of genres takes a skilled writer. There are two equally important aspects of being able to accomplish this successfully. The first is choosing the right genres. The second is making sure that each of them is given their due while ensuring that they come together at the right moment in the narrative.
One of the newest Netflix series is Behind Her Eyes. It tells the story of a twisted love triangle with Louise (Simona Brown) at the center. At one end is her new friend Adele (Eve Hewson). At the other end is Adele’s husband, David (Tom Bateman), who is Louise’s boss and new lover. It is part psychological thriller, part jealous spouse, and just a little bit of science fiction/fantasy to make it very interesting.
My jaw dropped by the time the credits rolled after the final episode.
I loved the inclusion of Adele’s ability to use astral projection to leave her body. I don’t read or watch many psychological thrillers, but as I understand it, this particular story thread is not often used in this genre. But that is not the twist. The twist comes from Adele’s friend, Rob (Robert Aramayo). He is the master manipulator who is so under the radar that it is impossible to see the ending coming.
Kudos to the author and the screenwriter. If only every story was as good as Behind Her Eyes.
From a writing perspective, one of the upshots of creating a science fiction and fantasy narrative is that the number of stories one can tell is nearly endless. However, that does not mean that the reader or viewer is entertained.
The pilot of the new NBC series, Debris, premiered last night. MI6 agent Finola Jones (Riann Steele) and CIA agent Brian Beneventi (Jonathan Tucker) have been tasked with answering questions about an alien space craft and its effects on human beings.
If I was generous, I would give this program an A for effort. The show tries to live up to the trailer and the genre. But it was nothing more than background noise. Whatever story hook the created is non-existent. Though I did finish watching the pilot, there was nothing that inspired me into continuing on with further episodes.
Science fiction and fantasy often has a way of revealing our fears and our dreams.
Set in the future, V for Vendetta (2005) is the story of a freedom fighter, V (Hugo Weaving), who wears a Guy Fawkes mask. V is fighting against a fascist government that has overtaken England. Evey (Natalie Portman) is rescued by V from the secret police. Together, they will become allies to overthrow the government.
Based on the graphic novel by Alan Moore and David Lloyd, this movie is not for children. It asks some very tough questions about individualism vs. conforming and individual freedom vs. safety via complete government control. It is very dark and has some very disturbing moments. But there light at the end of the tunnel for these characters.