We all know the story of Cinderella. Her tale has been part of our culture for an untold number of generations.
Cinderella Is Dead, by Kalynn Bayron, was published back in July. In the fictional kingdom of Mersailles, women are chattel. At the age of sixteen, young girls are required by law to present themselves at the annual ball. If any one of them is unable to find a husband by the time she turns eighteen, her fate is either servitude or disappearing forever.
Sophia Grimmins is sixteen. She would rather marry her girlfriend, Erin, than be forced to say I do to a man she does know or care for. But she also knows what could happen to her parents if she does not attend. At the ball, Erin falls in line with the other girls. But Sophia is having none of it. After she escapes, she finds herself in Cinderella’s mausoleum. Meeting Constance, a direct descendent from one of the step-sisters, the girls hatch a plan to remove the King from the throne. Sophia also learns that the tale of Cinderella that has been drilled into her is missing a few critical pieces of information.
This book is interesting. A sort of The Handmaid’s Tale meets YA/LGBTQ fantasy, it is not our grandmother’s simplistic, Disney-fied version of the story. Which is perfectly fine with me, I am always up for a fractured fairy tale. I love the author’s creativity, the world she created is nuanced and feels closer to our world than the traditional world these narratives take place in.
The problem is initial chapter and the concluding chapters feel rushed. Instead of dropping the big reveal on the reader and letting it soak in, she pushes through it as if it were a minor plot point. Which, to be honest, was a little bit of a letdown because I wanted to feel the climax. But I didn’t.
Do I recommend it? The answer is a strong maybe.