As I see it, both are unnecessary. As much as I dislike the overuse of stereotypes, The Nanny is a charming and funny program about a fish out of water with a Sound of Music narrative. Home Alone and it’s first sequel, Home Alone 2: Lost in New York are outright classics. After all of these years, not only do I not only know these movies by heart, but I always have a few belly laughs while watching the films.
While I understand the reason for wanting to reboot both The Nanny and Home Alone, neither reboot is necessary. Its as if there are no new ideas in Hollywood or producers are unwilling to consider new writers with new narratives.
I have an idea. Instead of rebooting older ideas, how about giving new writers with new voices and new stories a chance? I have a few stories that I would love to see transferred from page to screen.
Best remembered for playing Liesl Von Trapp in the classic and beloved film, The Sound Of Music, Ms. Carr was 73.
Liesl starts off the film like many a teenage girl: a rebellious brat who defies her father’s rules to spend the evening with a young man. As the film moves on and the world changes, it is apparent that she is her father’s daughter: smart, a little too headstrong for her own good and extremely loyal to whose who she loves.
Thought she left the film business in the late 1960’s after only making one film post The Sound Of Music, she will always be remembered for that role.
In the early 2000’s Ms. Carr produced two books based on her experience in making the film: Forever Liesl and Letters to Liesl. I believe I read one of them, wrote her a letter and received a very sweet response.
Sound Of Music is one of those films. No matter who you are or where you are from, there is something that is universal about this story. There is a character and a narrative for any audience member to relate to.
In remembrance of Ms. Carr I give you the last reunion of the cast and the scene that she will always be remembered by.
Mary Poppins (Julie Andrews) is a nanny who is brought in by Mr. and Mrs. Banks (David Tomlinson and Glynis Johns) to take care of their children. But Mary is not just any nanny. She has magical powers and takes her charges into an animated, fantastical world with the help of Bert (Dick Van Dyke). But in the end, it is not just the kids whose lives she touches, but their reserved father.
This movie is a childhood classic. Successfully combining live action with animation, this movie is an experience for audience members of all ages.
A year after Mary Poppins, she starred in what may be the most iconic movie of her career, The Sound Of Music. Based on the memoir of Maria Augusta Von Trapp, the movie is the story of Maria. Maria is a young novice who has not quite conformed to the rules of the Abbey in which she lives. She accepts a job where she will be the governess for the children of widowed Navy Captain Georg Von Trapp (Christopher Plummer). While the children are rebellious and test her in the beginning, their father is the real test and will force Maria to question what she really wants to do with her life.
This movie, while a little on the schmaltzy side, is incredible. I have yet to meet someone who has not loved this movie and related to it somehow on a personal level.
And just because it was so incredible, I am including Lady Gaga’s tribute to Sound Of Music from last weekend’s Oscar’s. I got chills watching her perform.
This past Thursday, NBC aired a live telecast of the Rodgers and Hammerstein classic musical The Sound Of Music.
Any national or Broadway revival of this musical will obviously be compared to the original production from the 1950’s with Mary Martin in the lead role and the iconic 1965 movie.
Carrie Underwood as Maria was an interesting choice by the producers. Yes, the woman can sing. One does not win American Idol and sell as many albums as she has without the ability to sing as well as she does. However, singing your own songs on a concert stage or acting in a music video which will ultimately be less than five minutes long is very different than playing one of the most iconic characters in musical theater. Did she know her lines? Yes. But there was little emotion behind those lines.
And now to Stephen Moyer. A great actor who is incredibly sexy on True Blood. And so wrong for Captain Von Trapp.
He is age appropriate and is as much as a name as Carrie Underwood. I don’t expect him to hit the high notes that Maria hits, but I found him to be stiff and his singing to be simply underwhelming. The Captain is emotionally closed off and stiff at the beginning of the story, but that is his character. Even when he began to open himself up to his children and become the father they needed, Moyer just wasn’t doing it for me. I found myself wishing that Christopher Plummer was still young enough to play this part again.
The upshot to this production was the decision to hire Broadway veterans to fill out the adult supporting roles. Audra McDonald (Mother Abbess), Laura Benanti (Elsa Schrader) and Christian Borle (Max Detweiler). Benati played Maria in the last revival, perhaps she might have imparted some advice to Underwood.
I applaud NBC for this undertaking, a live televised production of one of the most beloved musicals is not an easy thing to pull off. But next time, if there is a next time, I would recommend choose actors who actually have musical theater credentials and not just pop stars and TV actors who can sing.