- Soul: Though it is marketed as a kids movie, the subtext of appreciating life feels appropriate and potent this year.
- Mulan: The live-action reboot of the 1998 animated film Mulan rises above its predecessor, making it fresh and relevant.
- Emma.: Anya Taylor-Joy stars as Jane Austen‘s eponymous heroine, Emma Woodhouse, introduced as clever, rich, and handsome. Directed by Autumn de Wilde, this adaption is entertaining, funny, and a lovely addition to the list of Austen adaptations.
- The Trial of the Chicago 7: The film tells. the story of the 7 men accused of being responsible for the 1968 Democratic National Convention protests. Though it is set in the late 1960s and early 1970s, it feels very 2020.
- Portrait of a Lady on Fire: This LBGTQ historical romance between a young woman and the female artist hired to paint her portrait is sweet, romantic, and powerful. It proves once more that love is love is love.
- Ordinary Love: Joan (Lesley Manville) and Tom (Liam Neeson) are your average middle-aged couple. When she is diagnosed with Breast Cancer, they both must deal with the rough road ahead.
- The Assistant: Jane (Julia Garner) is an assistant to a Harvey Weinstein-esque powerful movie producer. She starts to notice things that don’t sit right with her.
- I am Greta: This documentary follows teenage climate activist Greta Thunberg as she advocates for the world to pay serious attention to climate change.
- Mank: Gary Oldman plays Citizen Kane screenwriter Herman J. Mankiewicz in a performance that is nothing but Oscar bait.
- #AnneFrank-Parallel Lives: Narrated by Helen Mirren, this documentary tells not just Anne’s story. It follows other young women who survived the Holocaust. Parallel to the stories of the past, the viewer is traveling with another young woman as she visits different countries in present-day Europe.
The first job out of college is never what we think it will be.
In the new movie, The Assistant, Jane is a recent college grad. Living in New York City, she is working as an assistant to a well known and powerful Harvey Weinstein like movie executive. The lowest employee on the totem pole, she does the work of many low level assistants: she makes coffee, accepts the mail, answers the phone, etc.
But something is off about her boss. She sees a number of women come and go from his office. Her concerns lead to her to Wilcock (Matthew MacFadyen) in human resources. But HR is not exactly helpful. Can Jane continue to do her job or will her conscious get the best of her?
Written and directed by Kitty Green, the narrative is told in a real world, 24 hour narrative. The feeling of the film is very visceral. Lacking music until the very end, the sounds of an office fill up the space. Where music usually steps in to tell the story, the sounds of emails coming in, the phone ringing and typing takes the place of music.
If there was one thing that I noticed about the story is that the actions of the unseen but heard movie executive is not exactly a secret within the company. What is disturbing is that the employees either laugh it off or make side comments, but don’t do anything about it. Only Jane has the nerve to call out her the misbehavior of her boss.
This film is jarring, powerful and a seething indictment of sexism in the workplace.
I absolutely recommend it.
The Assistant is presently in theaters.