The second is a few years later, in Bergen-Belsen. Up to this point, Hannah, her father, and her baby sister have received “special treatment” due to having passports to pre-Independence Day Israel (known then as Palestine). When she hears that Anne is alive and in the camp, Hannah has to make a choice. She can either do nothing or try to help Anne, knowing that she could possibly be killed in the process.
We all know Anne’s story. This is an angle that adds to her humanity and universality. It also points out (which is unfortunately still necessary), that the Jews were top on the list for extermination and reminds the viewer that Anne was killed because of the faith she was born into.
The problem is that the drama is a little slow. I understand the reason for the pace, but it could have been picked up a little. By the time we get to the scene in which Anne and Hannah are reunited, I did not feel what I expected to feel.
Do I recommend it? I am leaning toward yes.
My Best Friend Anne Frank is available for streaming on Netflix.
The Diary of Anne Frank has been read by millions of readers since it was published in 1947. The ending is both hopeful and devastating. The one question that still leaves us hanging after 70+ years, is who was responsible for the betrayal of the residents of the Annex?
The Betrayal of Anne Frank: A Cold Case Investigation, by Rosemary Sullivan, was published this month. The book follows the multi-year search led by FBI investigator Vincent Pankoke to answer the question once and for all. Using modern cold case investigative methodologies and working with a team of historians and other experts, no detail is left to the wind. Every clue is followed to the bitter end, leading to a suspect that if proven to be the one, has gone undetected for nearly a century.
I know it is only January, but I can already see this book topping the list of best books of 2022. It is a heart-pounding thriller that kept me hooked until the final page. As we got closer to the end, I wanted to know who was responsible. If nothing else, it is a reminder that getting justice is still possible, even when those directly affected are no longer with us. When it closed for the last time, I knew that there was a light in the darkness. Perhaps history will not repeat itself and we will finally learn the lessons of diversity and respect.
Soul: Though it is marketed as a kids movie, the subtext of appreciating life feels appropriate and potent this year.
Mulan: The live-action reboot of the 1998 animated film Mulan rises above its predecessor, making it fresh and relevant.
Emma.: Anya Taylor-Joy stars as Jane Austen‘s eponymous heroine, Emma Woodhouse, introduced as clever, rich, and handsome. Directed by Autumn de Wilde, this adaption is entertaining, funny, and a lovely addition to the list of Austen adaptations.
Portrait of a Lady on Fire: This LBGTQ historical romance between a young woman and the female artist hired to paint her portrait is sweet, romantic, and powerful. It proves once more that love is love is love.
Ordinary Love: Joan (Lesley Manville) and Tom (Liam Neeson) are your average middle-aged couple. When she is diagnosed with Breast Cancer, they both must deal with the rough road ahead.
The Assistant: Jane (Julia Garner) is an assistant to a Harvey Weinstein-esque powerful movie producer. She starts to notice things that don’t sit right with her.
I am Greta: This documentary follows teenage climate activist Greta Thunberg as she advocates for the world to pay serious attention to climate change.
#AnneFrank-Parallel Lives: Narrated by Helen Mirren, this documentary tells not just Anne’s story. It follows other young women who survived the Holocaust. Parallel to the stories of the past, the viewer is traveling with another young woman as she visits different countries in present-day Europe.
To some, the Holocaust is ancient history. In 2020, we have more pressing problems to occupy our time with. But the Holocaust was only 80 years ago, and the issues from that era are as prevalent now as they were then.
#AnneFrank-ParallelStories is one of the newest releases on Netflix. With a voice-over by Helen Mirren, this documentary tells the story of Anne Frank while telling the stories of other women who are among the few to have survived. While Mirren reads from Anne’s diary, the audience follows a young woman as she travels across Europe, asking questions that frankly, need to be asked.
I’ve seen many Holocaust films over the years. What makes it different is that it hard-hitting, emotional, and squarely aimed at the younger viewers. If I have walked away from this movie with one message, it is that we have a chance to ensure that the Holocaust in any variation never happens again. That requires asking difficult questions and learning from the mistakes of our predecessors.
I recommend it.
#AnneFrank-Parallel Lives is available for streaming on Netflix.
I think it is pretty safe to say that in the nearly three weeks since George Floyd was killed in Minneapolis, the world has changed. Across the globe, millions are making their voices heard. George Floyd was one man, but he has come to stand for those who have been killed by hate.
Yesterday would have been Anne Frank‘s 91st birthday. Her diary has been ready by millions of readers over the last 70ish years. Like George Floyd, she has become a symbol of a life cute short by hate.
I keep thinking that if the world had collectively protested in the 1930’s as they do now, would the Holocaust have happened? How many might have survived? Unfortunately, this question can never be answered.
I wish that we lived in a world in which our rights were immediately given to us at birth. I wish that we were not categorized and then based on that category, denied or approved for where we may end up in life. But that is the world we live in. But until that day in which that happens, we must continue to stand up and fight for those rights.
No one goes through life without asking the “what if” question at least once during their lifetime. This question becomes multiplied when it come to war and the loss of life that comes with war.
In the 2013 author Jillian Cantor asked this question in the book, Margot: A Novel.
It’s 1959 in Philadelphia. Margot Frank survived the war and has started a new life as Margie Franklin, living as a Gentile and working in a law firm as a secretary.
Her sister’s diary has become the darling of the publishing world. The movie, based on the book, has just been released into theaters. Margot/Margie’s carefully constructed outer shell begins to crack. While juggling PTSD and survivor’s guilt, Margot/Margie’s past come back to her via a case and an unusually strong emotional bond with her boss.
This book is amazing. When it comes to the story of Anne Frank, her elder sister is often pushed out of the spotlight. In giving Margot the spotlight, Ms. Cantor tells the story of Holocaust survivors who for any number of reasons, choose to keep their pasts to themselves. It is also the story of America in the late 50’s when antisemitism was not as obvious, but still existed beneath the thin veneer of respectability.
Anne Frank is many things to many people, depending on whom one talks to. She was an ordinary teenage girl who went through the changes that we all went through at that age. She was a budding writer whose literary skills showed promise. She is an icon not just for the 1.5 million Jewish children who were slaughtered in The Holocaust, but for children around the world who are living and dying in war zones today. She is reminder of what hate and prejudice can do when we are blind to the humanity of our fellow mortals.
But the question is, who owns Anne’s likeness and more importantly, who owns how she is represented to the world? This question is answered in the new book, The Phenomenon of Anne Frank. Written by David Barnouw and edited by Jeanette K. Ringold, the book traces the history of Anne’s story from an ordinary teenage girl who was murdered because she was Jewish to an international icon who represents so much to so many.
The premise of this book sounded promising. However, it was a bit too scholarly and dry for my taste.