Not surprisingly, most of the nominees are white and male. Among the major acting nominations, Cynthia Erivo (Harriet) is the only performer of color who was nominated. In the directing category, Bong Joon-ho (Parasite) is the only non Caucasian to receive the nomination.
Not that those who were nominated don’t deserve their nominations, but there is something to be said for representation. Two of my favorite movies from 2019 are Little Women and The Farewell. Both were directed by women and both were brilliant films. Little Women has 95% rating on Rotten Tomatoes. The Farewell has a98% rating on Rotten Tomatoes. And yet, in the major categories, did not receive their due.
I don’t know what is in the water in Hollywood. But it feels like like a slap in the face. It’s as if the powers that be are either afraid of diversity or don’t want it. They are content with the status quo which holds up their place in the world.
It’s 2020. It’s time for women and people of color to be seen and given the opportunity to succeed in Hollywood. But that will only happen when the Academy finally admits that they have a problem with diversity.
Joker: In this re imagined world from that Batman universe, Joaquin Phoenix adds new layers to this iconic character while talking frankly about mental illness.
The Song of Names: Based on the book of the same name, the film follows a man who is trying to discover the secrets of a missing childhood friend.
Frozen II: This sequel to the mega-hit Frozen was well worth the six year wait. Instead of doing a slap-dash direct to video type sequel, the filmmakers expanded this world in new ways, making the story even more relevant.
This will be my last post for 2019. Wherever you are, thank you for reading this year. May 2020 be bright and hopeful.
I am thoroughly disgusted. According to the press reports, the films and their directors are judged by accomplishment and not by the specific gender of the nominee. However, if one were to look at the list of nominees and winners, past and present, there is a clear pattern. Both in front of the screen and behind the screen, white men are the preference. Women and people of color are tolerated, but only up to a point.
I wish that we lived in a world in which factors such as race and gender meant nothing. I wish that we lived in a world in which we were judged as individuals and not by external factors. But we live in a world in which race and gender play a role in how we live our lives.
Maybe one day we won’t. Until that day, we have no choice but fight for what should be naturally built-in opportunities and rights.
The best stories are universal. Regardless of the time it is set in, the place it is set in or the culture that it is set in, these stories are timeless and speak to all of us.
Writer/director Lulu Wang’s new semi-autobiographical film, The Farewell, is set in China and New York City. Billi (Awkwafina) was born in China and raised in New York City. When her beloved grandmother, known as Nai Nai, is diagnosed with cancer with only months to live, the family decides to keep it from her. Under the pretense of a fake wedding, the family comes together in China.
But Billi is troubled by the lie. She must decide if she will be the one to spill the beans or go along with the scheme.
This movie is one of the best films of 2019. Up to this point, Awkwafina has built her career on comedic roles in films such as Ocean’s Eight and Crazy Rich Asians. In this film, she plays a young woman who is dealing with an emotionally tough decision. The humor comes from the narrative, not from broad jokes or an outrageous character. In playing this toned down character, Awkwafina proves that her acting abilities go way beyond comedy.
The thing that stood out to me about TheFarewell is that anyone can relate to these characters and their story. At some point, our parents and grandparents reach that point in their lives when their health is not what it was. It is then up to the younger generations to make decisions, which are frequently never easy and rife with challenges.