*Warning: the post contains spoilers about the end of the third season. Read at your own risk if you are still catching up.
The anticipated release of a new season of a favorite television series is both exciting and nerve wracking. It has to build on the narrative of the previous seasons while opening the door to wherever the new season may go.
The first episode starts off right where the 3rd season ended. The plane full of women and children has safely landed in Canada. In Gilead, the repercussions of June/Offred’s (Elisabeth Moss) rebellion have created a ripple effect. She has become a Moses like figure to the fugitive handmaids who are desperate for freedom. The authorities in Gilead have a different take on her actions and have deemed her to be enemy #1.
In Canada, Commander and Serena Joy Waterford (Joseph Fiennes and Yvonne Strahovski) are in the custody of the government and bickering. Meanwhile, June/Offred’s husband, Luke Bankhole (O-T Fagbenle) and her friends who are refugees, are dealing with the consequences of her actions from another angle.
So far, the first three episodes are fantastic. It is dark, gripping, and completely intoxicating. Next Wednesday and episode 4 cannot come soon enough.
Do I recommend it? Absolutely.
The Handmaid’s Tale is available for streaming on Hulu. New episodes are released every Wednesday.
Democracy, as Americans have recently learned the hard way, is not guaranteed or promised. It must be cherished, protected, and stood up for when necessary. The same could be said for human rights.
Today is International Holocaust Memorial Day. Some may say that we no longer need this day of remembrance, it so far in the past that we can move on. The hard and sad truth is that we cannot move on. Eighty years after the end of World War II, anti-Semitism (and prejudice is general) is as alive and well now as it was then.
Back in the summer of 2019, I went to the Auschwitz museum in New York City. If there is one message that is clear, it is that both the perpetrators and victims were normal people, as normal as you and I.
I recently finished watching the third season of The Handmaid’s Tale on Hulu. It takes place in the fictional Republic of Gilead, a totalitarian patriarchy in which women are second class citizens and non-conformists are enslaved or killed. Though it could be called dystopian science fiction novel, the truth is that this world is closer to our reality than we think it is. The riot in Washington D.C. three weeks ago was a cold slap in the face and a harsh reminder of that truth.
The only way to prevent another Holocaust of any group of people is education, respecting diversity, and remembering the past.
May the memory of those who were murdered because of who they were (my own relatives included) forever be a blessing.
Thanks to generations of brave and hardworking women, we have achieved rights and privileges that were once upon a time, a dream. But that does not mean that the fight is over.
The Handmaid’s Tale (based on the books by Margaret Atwood) premiered on Hulu back in 2017. In a world not too distant from ours, climate change and the low numbers of births opened the door to a second Civil War. When the dust settles, the United States as it existed is a thing of the past. The Republic of Gilead, a totalitarian regime, is now in control. The once archaic gender roles of the past are now the law of the land.
The women who are still able carry and bear children are slaves. Among them is Offred (Elisabeth Moss). She is given to a childless couple, Commander and Mrs. Waterford (Joseph Fiennes and Yvonne Strahovski) and has one job: give them a child. Offred’s only form of survival is to hang onto the past and remember the life, the name, and the family she had before everything changed.
Though I could not get into the book, I am part way though the first season and thoroughly hooked. What makes this story palpable and scary is not a dystopian future that is impossible to imagine as reality. Given our present predicament, it wouldn’t take much for this work of fiction to become something more.
It is for me, a reminder that in some countries (Saudia Arabia, for one), the daily experiences of women are not too far off from the women in this book. It is also a throwback to a not so far away time when we had to fight for even the most basic of rights.
If nothing else, it is stark reminder that our democracy and freedoms are not guaranteed. We must continue to do everything we can to ensure that they are protected.
Do I recommend it? Absolutely.
The Handmaid’s Tale is available for streaming on Hulu.
We all know the story of Cinderella. Her tale has been part of our culture for an untold number of generations.
Cinderella Is Dead, by Kalynn Bayron, was published back in July. In the fictional kingdom of Mersailles, women are chattel. At the age of sixteen, young girls are required by law to present themselves at the annual ball. If any one of them is unable to find a husband by the time she turns eighteen, her fate is either servitude or disappearing forever.
Sophia Grimmins is sixteen. She would rather marry her girlfriend, Erin, than be forced to say I do to a man she does know or care for. But she also knows what could happen to her parents if she does not attend. At the ball, Erin falls in line with the other girls. But Sophia is having none of it. After she escapes, she finds herself in Cinderella’s mausoleum. Meeting Constance, a direct descendent from one of the step-sisters, the girls hatch a plan to remove the King from the throne. Sophia also learns that the tale of Cinderella that has been drilled into her is missing a few critical pieces of information.
This book is interesting. A sort of The Handmaid’s Tale meets YA/LGBTQ fantasy, it is not our grandmother’s simplistic, Disney-fied version of the story. Which is perfectly fine with me, I am always up for a fractured fairy tale. I love the author’s creativity, the world she created is nuanced and feels closer to our world than the traditional world these narratives take place in.
The problem is initial chapter and the concluding chapters feel rushed. Instead of dropping the big reveal on the reader and letting it soak in, she pushes through it as if it were a minor plot point. Which, to be honest, was a little bit of a letdown because I wanted to feel the climax. But I didn’t.