Tag Archives: The Lost World

Character Review: Ned Malone

*Warning: This post contains spoilers about the television show, The Lost World (which is loosely based the book of the same name). Read at your own risk if you are unfamiliar with the either the book or the television series.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from The Lost World to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

It’s easy to take someone we have just met or randomly bump into on the street at face value. But looks, more often than not are deceiving.

Ned Malone (David Orth) is initially introduced in The Lost World as the lone American and wet behind the ears reporter who more often than not, needs saving. Far from adventurous, Ned’s motivation to join the Challenger Expedition seems rather mundane: he wants to impress a pretty girl. Ned is secretly in love with his publisher’s daughter, but she has kept him parked in the friend zone for years. To prove his mettle, Ned joins the expedition to not only write about what they will be experiencing, but also in hopes that his crush will notice him and return his affection.

Over the course of the three seasons, Ned become more mature, more confident and more self-sufficient. Part of that due to the friendship turned semi romantic relationship with Veronica Layton (Jennifer O’Dell), a young woman raised in the jungle who is the exact opposite of the woman he was in love with when he left London.

While Ned may appear to be innocent and naive, his past was revealed about a third of the way into the 3rd season. He was unexpectedly drawn into the trenches during World War I and suffered emotional scars that lay deep and open beneath the surface.

To sum it up: No one is just one thing. We all have our light sides, our dark sides, the face we present to the world and the scars that are hidden beneath the surface. One of the primary jobs of a writer is to create fleshed out, 3D characters who are multifaceted and human. Human beings naturally relate to other human beings, whether they be real or fiction. If a character is human and feels human to the audience or reader, the writer has succeeded. If the character feels fake and uncomplicated, the writer still has work to do.

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Character Review: Marguerite Krux

*Warning: This post contains spoilers about the television show, The Lost World (which is loosely based the book of the same name). Read at your own risk if you are unfamiliar with the either the book or the television series.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from The Lost World to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

It’s not uncommon in adventure series to see a lopsided ratio of male characters to female characters. Female characters are either the damsel in distress, the native girl or the background character who is not seen or heard.

While Marguerite Krux (Rachel Blakely) may not be a cannon character in the original Lost World novel, she is certainly a modern and complex addition to the character list.

The audience is first introduced to Marguerite in the pilot. She is walking to the Zoological Society meeting where Challenger (Peter McCauley) is presenting his findings to his colleagues. Finding that she is being followed, she shoots the man and goes on her merry way.

Marguerite Krux is initially a mystery to the audience and her fellow explorers. Her past is a well guarded secret. While she appears to be selfish and self-serving, Marguerite is hiding the one thing that no one expects her to have: her heart.

Orphaned at an early age, her parents are a mystery to her. Shrewd, intelligent and independent, Marguerite has learned early on to survive by her wits. The things she wants most in this world are family and love. They were also the things she did not have when she needed them most.

Her ultimate goal is to find her birth certificate. Finding her birth certificate means finding out not only who here parents are or were, but finding the identity she has been longing for. Like many who have learned to survive early on, Marguerite has learned how to hide her emotions and do what needs to be done.

The Lost World was cancelled just after the third season ended, leaving quite a few story lines open. While Marguerite may not have found her parents (as of the final episode of the third series), she found the family she was looking with her fellow explorers and love with John Roxton (Will Snow).

To sum it up: Not all characters have easy lives. Sometimes, all a character knows is survival. Do whatever you need to do to get by, even if that means doing something shady or dangerous. Marguerite Krux is one of those characters. But in the hands of a skilled writer, a character of this nature goes beyond the stereotype. Whatever they are looking for, that is the key to their growth over the course of the narrative. Survival for survival’s sake is fine early on in the story, but without eventually learning the character’s motives and needs, the audience or the reader is unable to latch on the character and follow them across the narrative.

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Filed under Books, Character Review, Feminism, Television, The Lost World, Writing

Character Review: George Challenger

*Warning: This post contains spoilers about the television show, The Lost World (which is loosely based the book of the same name). Read at your own risk if you are unfamiliar with the either the book or the television series.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from The Lost World to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

Some of us are blessed with a talent in a specific area. This often leads to acclaim, a large ego and a prideful nature. Pride always goeth before a fall.

In The Lost World, the mad scientist with the prideful nature is George Challenger (Peter McCauley). Thought to be either a genius or crazy by his colleagues, it is Challenger who gets the ball rolling on the expedition to the undiscovered Amazon like world that contains living dinosaurs, missing tribes and creatures thought only to have existed in the imagination.

While his wife, Jessie, waits at home, Challenger is exploring the globe, trying to prove that his theories hold water. The problem is that he spends more time on his work than at home. Over the course of the television series, he begins to realize that there is more to life than work. He begins to appreciate his fellow explorers and regrets that he has lost out on the time with his wife. But of course, that appreciation and regret only comes when his pride is gone and his ego begins to deflate.

 

To sum it up: We have faults. No one on this earth is perfect. As a writer, our job is to use those faults to create characters who not only go on a journey, but learn from the pitfalls of their mistakes. Characters who are faultless, who never encounter any challenges or make mistakes are boring and unappealing.  As one of my writer friends often explains, “you have to put your character in a tree and throw rocks at them”.  In life and in fiction, a person’s character is marked by not only how they deal with their faults, but how they deal with the consequences of their faults.  Those faults are what brings the audience in and keeps them in until the very end.

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Character Review-John Roxton

*Warning: This post contains spoilers about the television show, The Lost World (which is loosely based the book of the same name). Read at your own risk if you are unfamiliar with the either the book or the television series.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from The Lost World to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

The ladies man. The macho man. The hunter who always bags his kill. This is Lord John Roxton.

Lord John Roxton is very much the epitome of the hunter, both in the jungle and in the ballroom. The younger son of an aristocrat who inherited his title when he accidentally killed his brother on a game hunt in Africa, John appears to have it all. A title. A tidy inherited income. Women at his feet and in his bed. A reputation of a fierce hunter.

Played by Australian actor Will Snow, the audience appears to immediately know who this man is and what his journey will be over the course of the narrative.  The audience will soon be surprised. Under the smooth manners of an aristocrat and the adventurous nature of a man who has seen much in his life, John Roxton who is burdened by his past. The ghost of his brother hangs around his neck like a chain. His will they or wont they relationship with the mysterious and equally emotionally burdened Marguerite Krux (played expertly by another Australian performer, Rachel Blakely, who will be discussed in the coming weeks) adds more emotional depth to the character and leads him away from the Gaston like initial first impression.

To sum it up: Appearances should be deceiving. How deceiving they should be and what emotional turns the character takes is up to the individual writer. That deception on the part of the writer, if it is well written is very often the key to the success of the book or the movie. As soon as the audience thinks they know the character, the deception changes their perspective and properly hooks them in for the rest of the story.  That deception, when written properly is often the key to writing success.

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Filed under Books, Character Review, Television, The Lost World, Writing

You Know Your A Lost World Fan When….

You know your a Lost World Fan when….

  • You know that the show had very little in common with the original novel and you don’t care.
  • You know that the special effects are not perfect, but you again, you don’t care.
  • You know that the writing was a little on the cheesy side, but again, you don’t care.
  • The first thought that comes to your mind when your alarm goes off on a Tuesday is “what’s today, Tuesday? I don’t kill anyone on a Tuesday.
  • As a straight female or gay male, you appreciate the physical beauty that is John Roxton and Edward Malone.
  • If your a female with curly hair, your thankful that Rachel Blakely kept her hair long and curly for TLW.
  • You appreciate the wisdom and experience that Summerlee and Challenger bring to the table.
  • You are surprised and excited to see a former TLW guest star (e.g. John Noble on Fringe) on another show that you love.
  • You own or watch Counterstrike, despite knowing the fact that it’s not the best film.

 

  • You’ve read or written TLW fanfiction.
  • You long for a formal cast reunion (it’s been at least ten years since the last one).
  • And finally, when there is nothing on television, you pop in one of your TLW DVDs and allow yourself to be taken into The Lost World for an hour.

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RIP Jerome Ehlers

The mark of an incredible actor is that you remember them, even if their time on screen is short.

Earlier this month, Australian actor Jerome Ehlers left this world.

To fandom of The Lost World (of which I am part of), he is known and fondly remembered for his roles as Tribune and  Francois Loke / Olmec, the trickster god.

He only appeared in five episodes out of the three years that the show was on the air, but he made an impact on the fandom that will live on.

My thoughts and prayers are with his family.

RIP

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The Lost World

There is something about a favorite television show. No matter what is going on in life or how good or bad the day is, your favorite television show just makes it that much better.

The Lost World, airing from 1999 to 2002 was loosely based on the novel by Sir Arthur Conan Doyle.

In the early part of the 20 century, a group of explorers, led by scientist George Edward Challenger (Peter McCauley) goes on an expedition seeking a lost world that has been isolated from the rest of the world. The rest of the group includes Lord John Roxton (Will Snow) an aristocratic big game hunter with a certain reputation, Marguerite Krux (Rachel Blakely), an heiress with seemingly ulterior motives and an unknown past, Ned Malone (David Orth) a young American reporter looking to  impress a woman back home and Professor Arthur Summerlee (Michael Sinelnikoff), a fellow member of The Zoological Society who initially egged on Professor Challenger when he presented his initial findings to his colleagues.

When they reach The Lost World, they are befriended by Veronica Layton (Jennifer O’Dell), a woman raised in jungle. Her parents discovered The Lost World a generation ago and disappeared when their daughter was still very young. In season 3, Finn, a woman from the future  (Lara Cox) joined the cast.

The Lost World was part of the action/adventure/fantasy trend that appeared in the late 90’s started by Hercules and Xena. I happen to love this show, it’s one of the few shows that I have the complete series on DVD. The special effects, well, Jurassic Park, it is not.  But it is a good show with good story telling and well drawn characters. I just wish that it has lasted more than 3 seasons, but such is life.

I recommend this show.

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