For 150 years, readers have read and adored Little Women. Louisa May Alcott‘s timeless tale about the March sisters is a universal story of growing up, sisterhood and finding out who you are.
The new adaption, written and directed by Greta Gerwig, was released a couple of weeks ago.
Told in a non-linear narrative, the film starts as the girls are setting out on their own paths in life. Meg March (Emma Watson) is juggling marriage and motherhood. Jo March (Saoirse Ronan) has a day job as a private tutor and sells her stories to local newspapers. Beth March (Eliza Scanlen) remains content to be at home. Amy March (Florence Pugh) is in Paris and living with Aunt March (Meryl Streep) while she is pursuing her dream of becoming a painter.
The movie then flashes back and forth, from the present to the past. Growing up in New England during the Civil War, the girls are being raised by their mother, known as Marmee (Laura Dern) while their father fights for the North. Early in the story, Theodore “Laurie” Laurence (Timothee Chalamet) introduces himself to Jo. He is literally the boy next door and becomes Jo’s best friend.
Though some fans might disagree with Gerwig’s choice of narrative, I think it was a wise choice. Given the number of filmed adaptations of this beloved book, she chose to make her adaptation stand out because of that unorthodox narrative.
One of the things that impressed me about the film is how Amy is no longer a brat. In most adaptations and in the eyes of many fans, Amy March is disliked because she is spoiled and remains so throughout the book. But in this adaptation, Amy is spoiled like many youngest children are spoiled. But she also grows up into a woman who knows she wants, in spite of a world that would hold her back.
Anyone who has ever watched a film adaptation of their favorite book are likely to be disappointed. Changes to either character or narrative are certain. But Gerwig remains true to the text, retelling this beloved tale with a modern spirit and a reminder of why 150 years later, Little Women is a cherished novel.
Little Women is one of those books. It is the literary gateway drug that for many young bookworms (myself included). I remember reading an abridged version of the novel when I was around eleven or twelve. I loved it then and almost thirty years later, that love has blossomed into a life long affection.
The trailer for the reboot written and directed by Greta Gerwig was just released earlier today. Stepping into the iconic, universal and beloved roles of the March sisters are Emma Watson (Meg), Saoirse Ronan (Jo), Eliza Scanlan (Beth) and Florence Pugh (Amy). Supporting and sometimes bumping heads with the March girls are Marmee (Laura Dern), Laurie (Timothée Chalamet ) and Meryl Streep (Aunt March).
As a friend stated on Facebook, about this trailer and the film’s potential success, ” If anyone can top Winona’s Jo, is DEFINITELY Saoirse”. I have an incredible amount of love for the 1994 adaptation, but if this version can top that love, I will love this film forever.
We never forget our first love, especially when we are young. No matter how old we get or who we fall in love with later in life, our first love always stays with us.
In the new film Call Me By Your Name, (based upon the book by Andre Aciman of the same name), 17-year-old Elio (Timothée Chalamet) is spending the summer of 1983 at his family’s Italian chalet. His father, Mr. Perlman (Michael Stuhlbarg) is a professor of Greco-Roman history and takes on a graduate student as a research assistant every summer. His mother, Annella Perlman (Amira Casar) is a linguist. The graduate student who will be living with them and studying with Elio’s father that particular summer is a young man named Oliver (Armie Hammer). Elio thinks he knows about love, but the summer and his relationship with Oliver will forever change his view of love.
What I absolutely loved about this movie was that it was about first love and how one is forever changed by that first love. While some might object to the film because the two romantic leads are men, I think that is exactly why this film must be seen. We live in a political and social climate where judgments are made about us based upon the labels we give ourselves and the labels others give us. If anything, this film teaches the audience that love is love is love. It doesn’t matter if the partners are heterosexual or homosexual.