The addition of a new baby to any family is bound to make waves. In an ideal world, the older child(ren) would welcome their new sibling with open arms. But that is not always the case.
In the 2017 film, The Boss Baby, Tim (voiced by Tim Miles Bakshi as a boy and Tobey Maguire as an adult) is not exactly pleased with his new baby brother. An only child for the first seven years of his life, he has been indulged by his parents and allowed to let his imagination soar. The arrival of Boss Baby (Alec Baldwin), an infant wearing a three-piece suit, sets him off. Determined to prove that this child is not what he seems to be, he discovers that the child is not your average newborn.
Boss Baby is a James Bond-esque spy who is fighting against the takeover by puppies. The head of this puppy takeover is Francis Francis (Steve Buscemi). The only way to stop this invasion is to work together.
I’ve only seen part of this movie, but the part I saw, I enjoyed. Part buddy comedy and part hate to love bromance with a dash of a spy thriller, it is entertaining and funny. The comedy from the dry wit of Boss Baby contrasting with Tim’s wildly fantastical mind.
Happy 2015. This will be my first Throwback Thursday blog post of the New Year.
The 1950’s can often be seen through rose colored glasses, especially when viewed through the family sitcoms of the era. Television programs like Father Knows Best and The Donna Reed Show presented the audience with a perfect Caucasian suburban family whose problems were easily solved within a 30 minute time span.
Flash forward to the 1990’s where television story lines and characters were complex and problems were so easily solved within 30 minutes.
In 1998, Pleasantville, two 1990’s teens into the world of the perfect 1950’s family sitcom. David, who has little to no social life (Tobey Maguire) is obsessed with the 1950’s television program Pleasantville. His sister, Jennifer (Reese Witherspoon) has a very active social life and looks down on her brother’s obsession. A strange looking remote transports them into the television program. As they spend more time in Pleasantville, things begin to change and the boat begins to rock.
I like this movie. What I like about this movie is that it brings color to a world that is black and white, literally and figuratively. The special effects are also a nice touch. They add to the movie as needed, without drawing attention away from the plot or the characters.
Romantic dramas and coming of age stories usually fall into two categories: Sappy and predictable or suspenseful and unpredictable.
Labor Day, thankfully falls into the second category.
Based on the book of the same name by Joyce Maynard, Labor Day is a love story, but also a coming of age story.
Adele (Kate Winslet) is a divorced single mother who has become anxious and isolated since her husband Gerald (Clark Gregg) left her for another woman. Her son, Henry (Gattlin Griffith) tries to make up for his father’s absence, but is lacking. When a convict, Frank (Josh Brolin) uses them as a means to hide until he can escape from the police, he becomes the father Henry needs and provides the love that Adele needs.
I enjoyed this movie. It sort of had a Wonder Years type of narrative. Toby Maguire narrates the story as an adult Henry, remembering those fateful 5 days. It could have been sappy, cliched or predictable. But it wasn’t. I was on the edge of my seat the entire movie. Kate Winslet and Josh Brolin have electric chemistry, Gattlin Griffith plays his character as both a young boy on the edge of growing up, but also taking on the responsibility of being the man of the house.
Words, words, words... well said Hamlet! A little blog to go off on tangents within the worlds of history and literature that interest me. From the Tudors to Tom Hardy's Tess, or from the Wars of the Roses to Wuthering Heights, feel free to browse through my musings to pick up extra ideas and points for discussion!