Warning: This post contains spoilers about the Netflix series, Behind Her Eyes. Read at your own risk if you have not seen it in full.
The mingling of genres takes a skilled writer. There are two equally important aspects of being able to accomplish this successfully. The first is choosing the right genres. The second is making sure that each of them is given their due while ensuring that they come together at the right moment in the narrative.
One of the newest Netflix series is Behind Her Eyes. It tells the story of a twisted love triangle with Louise (Simona Brown) at the center. At one end is her new friend Adele (Eve Hewson). At the other end is Adele’s husband, David (Tom Bateman), who is Louise’s boss and new lover. It is part psychological thriller, part jealous spouse, and just a little bit of science fiction/fantasy to make it very interesting.
My jaw dropped by the time the credits rolled after the final episode.
I loved the inclusion of Adele’s ability to use astral projection to leave her body. I don’t read or watch many psychological thrillers, but as I understand it, this particular story thread is not often used in this genre. But that is not the twist. The twist comes from Adele’s friend, Rob (Robert Aramayo). He is the master manipulator who is so under the radar that it is impossible to see the ending coming.
Kudos to the author and the screenwriter. If only every story was as good as Behind Her Eyes.
I would love to say that every marriage is a perfect vision of happily ever after. But we all know that some marriages are complicated, to say the least.
The new Netflix mini-series, Behind Her Eyes, based on the book of the same name by Sarah Pinborough, premiered last week. Louise (Simona Brown) is a single, divorced mother who works at a psychiatry office three days a week. She was supposed to have a girls night out with a friend at a local bar. But when her friend does not show up, she starts up a conversation with David (Tom Bateman). What starts with a brief flirtation ends with a kiss. But before it can go any further, he makes his excuses and walks away.
The next day, David and Louise meet up again. The sizzling attraction from the night before has not dissipated. But he is her new boss, making any relationship other than a profession one impossible. He is also married to Adele (Eve Hewson), who has a complicated past. Then Louise and Adele bump into each other and become friends. Though David and Adele project the image of a picture perfect marriage, their relationship is not so perfect.
I’ve only seen the first two episodes. I also have yet to read the book. But so far, I am enjoying this not so simple love triangle with three characters, who each in their own way, are damaged.
Do I recommend it? Yes.
Behind Her Eyes is available for streaming on Netflix.
No one is without a past, for better or for worse. Ideally, we should be able to learn from the past and watch it disappear in the rearview mirror. But that is not always the case.
Beecham House premiered last night on PBS. This six-part miniseries takes place in India at the end of the 18th century. The viewer is introduced to John Beecham (Tom Bateman). A former employee of the British East India Company, John is eager to move on from his troubled past. But that is easier said than done.
I really enjoyed the first episode. As the lead character, John is compelling, complicated, and human. Filmed on location in India, the setting adds a level of reality that is often not seen in dramas set in this period. It could have been conceived as a technicolor, fairytale-ish land that can only come out of a dream. Authentically re-creating India as it was in the late 18th century helps to draw the viewer in further to the narrative and the characters.