The Holocaust did not start with concentration camps, gas chambers, ghettos, and mass killings. It started with words, lies, and false accusations.
Kanye West is one of the most respected rappers/musicians in the industry. I’m not a fan, but he is considered by many to be a genius wordsmith.
He is also an anti-semite. A few days ago, West stated that he would go on “Death Con 3” on Jews. His excuse was the following:
“The funny thing is that I actually can’t be antisemitic because black people are actually Jew[s]”
He also wore a shirt to a fashion event that said “White Lives Matter”.
And as expected, the cherry on top is the usual response from the right.
I don’t know if this is due to his mental health issues or if this is his way of grabbing the spotlight. If it is due to mental illness, then he should seek out help if he has not already done so. If he just wants attention, this is not the way to go about it.
Harry Houdini was without a doubt, one of the most iconic magicians in our modern age. He revolutionized the magic act as we know it to be today.
The 1953 movie, Houdini, starred then IRL couple Tony Curtis and Janet Leigh as Harry and Bess Houdini. The film follows the life and career of Houdini as he becomes known for doing what seems to be the impossible.
The best way I can describe this film is that it is the average biopic. In addition, it was made during the height of the power of the studio system and Hays code, which means that some of the narrative of the real couple that inspired this movie maybe more fiction than fact.
It is said that until you walk a mile in another’s shoes, you can never truly understand them. To slightly alter that statement, one might be able to say that until a man walks a mile in a woman’s high heels, he can never truly understand her. This brings me to the topic of this Throwback Thursday post.
Joe (Tony Curtis) and Jerry (Jack Lemmon) are musicians who unexpectedly become witnesses to the St. Valentines Day Massacre. The only way to hide is to join an all girl band heading to Florida. Reinventing themselves as Josephine and Daphne, they meet Sugar (Marilyn Monroe), the ukulele player in the band. Things become even more complicated when Joe reinvents himself again as a millionaire to woo Sugar and Jerry finds himself being wooed by an older man who doesn’t know that she is really a he. At the same time, the gangster who is pursuing Joe and Jerry is vacationing at the same hotel with his cronies.
In it’s own time, this movie was considered racy and controversial. Now we know that it is a comedy classic.
Michael Dorsey (Dustin Hoffman) is trying to make it as a working actor in New York. But his difficult reputation precedes him. Resorting to creative measures, Michael transforms himself into Dorothy Michaels, a soap opera actress. His goal is to earn a living and be able to fund his friend’s play. What he doesn’t know that his dual identities will become problematic when he falls for his co-star Julie (Jessica Lange) and has to find ways to hide his new identity from his friends. More than twenty years after Tony Curtis and Jack Lemmon put on makeup and high heels, Dustin Hoffman takes the men in drag to a new level. What is surprising to the audience and Michael, is that he becomes an accidental feminist. Michael, as Dorothy, refuses to cowtow to her male bosses and her character’s male colleagues.
This movie is almost 32 years old. It is as fresh and funny as it was when it premiered in December of 1982.