Tag Archives: Yetta Rosenberg

The Nanny Character Review: Yetta Rosenberg

*For the foreseeable future, some Character Review posts may not be published every Thursday as they have in the past.

*Warning: This post contains spoilers about the characters from the television series The Nanny. Read at your own risk if you have not watched the show. There is something to be said about a well-written, human character. They leap off the page and speak to us as if they were right in front of us, as flesh and blood human beings, instead of fictional creations. The general on screen image of a grandmother is that of a loving, openhearted woman whose focus is her family. On The Nanny, Fran Fine‘s (Fran Drescher) grandmother, Yetta Rosenberg (the late Ann Morgan Guilbert) is not one of these women.

As a young girl, Yetta immigrated to the United States, where she was supposed to marry the man chosen for her. Though she fell in love with another man, she decided to marry her husband when the man her heart was set on disappeared. Later in life, she would travel between Europe and America, experiencing quite a few major historical events of the first half of the 20th century.

When we meet Yetta as a woman in her sunset years, her mind has started to slip. She is known to frequently smoke, in spite of her ailing health. Unaware that Fran is working for Maxwell Sheffield (Charles Shaughnessy), she believes that he is her grandson-in-law and that his children are her great-grandchildren. But if the viewer knows nothing else about Yetta, she loves her granddaughter intensely. When Fran eventually marries Max and brings their children into the world, she is there as a only proud grandmother can be. Yetta also re-marries before Fran walks down the aisle, creating a running joke. Her new husband is Sammy, played by the late Ray Charles.

To sum it up: Though Yetta is far from the grandmotherly character type we expect to see, she feels like she could be anyone’s grandmother. Her love of her grandchildren is obvious, her mind is not what it was, and she still has conflicts with her children.

Which is why she is a memorable character.

This will be my last character review post for the The Nanny. Come back next week to find out which group of characters I will be reviewing next.

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Filed under Character Review, Feminism, Music, New York City, Television

The Nanny Character Review: Fran Fine

I apologize for the delay in the publication of the new character review posts. Life, as it does, got in the way last week.

*For the foreseeable future, some Character Review posts may not be published every Thursday as they have in the past.

*Warning: This post contains spoilers about the characters from the television series The Nanny. Read at your own risk if you have not watched the show. There is something to be said about a well-written, human character. They leap off the page and speak to us as if they were right in front of us, as flesh and blood human beings, instead of fictional creations. When it comes to ethnic or racial stereotypes, there is line that can be easily crossed into a gross misrepresentation of the culture that person represents. However, it can also be subverted to reveal the human being who exceeds the image they represent.

At first glance, Fran Fine (Fran Drescher) is your typical Jewish woman from New York City. She has a thick Queens accent, is obsessed with finding a husband and adores Barbra Streisand. When her fiancé dumps her, she has no choice but to go back to selling cosmetics door to door. One of the doors she knocks on is Maxwell Sheffield’s (Charles Shaughnessy). Maxwell is a Broadway producer and a widower with three growing children. Though she is a square peg in a round hole, Maxwell hires Fran to be his children’s nanny. Over the years, Fran becomes much more than the hired help. She is a mother figure to her charges and encourages them to see beyond the limited reaches of their Park Avenue mansion.

Fran brings much more than herself into the WASP-y Sheffield household. She brings her entire family. Her mother Sylvia (Renee Taylor) is preoccupied with the fact that her younger daughter is both single and childless. She is also known to nosh wherever and whenever she can. Fran’s best friend Val Toriello (Rachel Chagall) is not the brightest bulb in the box. Sylvia’s mother and Fran’s grandmother Yetta Rosenberg (Ann Morgan Guilbert) is sometimes senile and sometimes not senile.

The relationship between Fran and Maxwell is not exactly the most professional relationship between employer an employee. There is a palpable chemistry between them, resulting in a will they or won’t they question that hangs over the characters for five years. When they finally get together, it is to the delight of Maxwell’s children (whose relationship with Fran is of a pseudo-parental/child nature) and the butler Niles (Daniel Davis). It is only C.C. Babcock (Lauren Lane), who looks upon the relationship with disdain. Her numerous attempts to create romantic sparks with Maxwell, her business partner have never succeeded.

To sum it up: Though Fran checks all of the boxes when it comes the stereotype of a Jewish woman, she is more than a list of expected traits and interests. She is warm, adventurous and when she loves, she loves completely.

Which is why she is a memorable character.

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Filed under Character Review, Feminism, New York City, Television