Thoughts on the 25th Anniversary of Buffy the Vampire Slayer

You never forget the first female TV character that inspires you to become a badass.

March 10th was the 25th anniversary of the premiere of Buffy the Vampire Slayer.

It was more than your standard coming-of-age high school drama. The supernatural elements were an allegory for the messy and very complicated experience of being a teenager. Buffy Summers (Sarah Michelle Gellar) has more to deal with than grades, boys, and friends. She is the Chosen One, the Slayer who has to save the world from all manners of evil that only exists in the very darkest of imaginations.

Writer and showrunner Joss Whedon (whose reputation has recently tanked due to his inability to act like a mature adult), took the allegory of growing up, added a few literal monsters, and in doing so, made the audience feel seen and understood. We related to Buffy and her friends because they were just like us. The fact that she could kick butt and had to save the world was just the cherry on top.

What made the show appealing was more than its title character. The other people who populated this world added additional flavors and colors. Willow Rosenberg (Alyson Hannigan) was initially introduced as an unsure young woman trying to find her place in the world. By the time series ended, Willow had come out, both as a gay woman and a witch, lost the woman she loved, and grieved in a way that was representative of how powerful that loss was. Angel (David Boreanaz), was both Buffy’s antagonist as a vampire and her first love. After they slept together for the first time, he turned into Angelus, a villain of the first order. The analogy of sleeping with someone who then becomes someone unrecognizable was all too clear. Buffy’s mother, Joyce Summers (Kristine Sutherland) tries to understand what her daughter is going through. Like any good parent, she is doing the best she can. But that does not mean that she is fully comprehending who Buffy has become.

The reason why BVTS has lasted a quarter of a century and continues to appeal to young people is its ordinariness. Underneath the supernatural nature of the series was the everyday experience of becoming an adult and the pitfalls of that experience.

Happy Birthday, Buffy. Here’s to another 25 years.

Buffy the Vampire Slayer and Angel Character Review: Riley Finn

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

Some relationships are meant to last a lifetime. Others are meant to last a short time. On Buffy the Vampire Slayer, Buffy’s (Sarah Michelle Gellar) first boyfriend after high school and Angel (David Boreanaz) was Riley Finn (Marc Blucas). Their first meeting comes during Buffy’s freshman year of college. He is the TA in her psychology class. He appears to be just a normal college student, but he is not.

He is a member of The Initiative, a military like organization whose job is to protect humanity from vampires, demons and other dangerous non-human creatures who put humanity at risk. At first, both Buffy and Riley are unaware of each other’s double lives, but they come clean eventually.

During their brief relationship, Riley learns a few things. One thing he learns is that the scooby gang is very particular as to who they let in. He also learns that not all demons are evil. After The Initiative was destroyed, Riley lost his sense of who he was, causing him to act recklessly and question his relationship with Buffy.

In the end, Riley and Buffy’s relationship ended like many relationships do. They are good when they are good, but they are not meant to last forever.

To sum it up: One of the lies that Hollywood tells audiences is that the perfect relationship is well, perfect. There is just enough drama to make the story interesting, but not enough to be realistic. This relationship will last forever and the couple in question will live happily ever after. But that is not reality.

As writers, it is up to us as to how we want to portray the couple and their relationship. However, I believe that we have a responsibility, even in a hyper fictional world like BVTS and Angel, to ground these romantic relationship with a sense of reality. That sense of reality allows the audience to connect with the characters and make them believe in the relationship. As I see it, that is the key to the success of television program or a movie.

Buffy the Vampire Slayer and Angel Character Review: Drusilla

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

Evil is not born, it is made. On Buffy the Vampire Slayer, Darla (Juliet Landau) was not born evil. But she was made evil by Angel in his Angelus form (David Boreanaz) who killed her family, tortured her and sired her (when a human is turned into a vampire). Possessing psychic abilities and a childlike insanity that hides an innate intelligence, Drusilla joins Angelus, Darla (Julie Benz) and Spike (James Marsters), whom she sired, make up quite the evil quartet.

In Sunnydale, Drusilla hears about the new slayer (Sarah Michelle Gellar) and is eager to make her mark as the vampire who killed the newest slayer with Spike’s help. But Buffy is not so easy to kill. But she is easy to manipulate when it comes to her boyfriend, Angel. After Angel reverts back to Angelus, he and Drusilla have some serious flirting going on. This does not sit well with Spike.

Though Drusilla is unable to kill Buffy, she does kill Kendra (Bianca Lawson) and takes Giles (Anthony Stewart Head) captive. Feeling betrayed, Spike switches sides to get his girlfriend back. They escape to South America, but Drusilla is not happy with the relationship and ends it with Spike.

In Los Angeles, hearing that a now human Darla is dying, Drusilla attempt to sire her. That siring does not go as planned, though the vampires do go on a killing spree. Hearing that Spike has moved on, Drusilla returns to Sunnydale in hopes of renewing their relationship and the vampire quartet that roamed Europe. Neither happens and as the world of BVTS and Angel closes, Drusilla is wandering about the world somewhere, looking for her next meal and perhaps a new vampire to sire.

To sum it up: The best villains are not born, they are made. As a main baddie, Drusilla stands out because she is ruthless, but under that ruthlessness, she is emotional and is incredibly smart. A smart villain will entice the audience to get involved and stay involved with the narrative because they, as a character, are enticing to watch.

 

Buffy the Vampire Slayer and Angel Character Review-Wesley Wyndam-Price

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

By stereotype, the British are believed to be traditional, by the book and unable/unwilling to move away from the tried and true. On Buffy the Vampire Slayer, this 2D character stereotype was introduced in the form of Wesley Wyndam-Price (Alexis Denisof). Sent by the Watchers Council to be a second watcher to assist Rupert Giles (Anthony Stewart-Head) with slayers Buffy Summers (Sarah Michelle Gellar) and Faith LeHane (Eliza Dushku), their relationship does not start well. Full of it and not exactly able to do his job, Wesley is as ineffective as one can get as a Watcher.

It does not help that there is a mutual crush between himself and underage Cordelia Chase (Charisma Carpenter). When the final battle happens between the students of Sunnydale High and the Mayor, Wesley is knocked out as the battle is just getting started.

The viewer then sees Wesley in Los Angeles. Filling a void left by Doyle (the late Glenn Quinn), he joins Angel Investigations working with Angel (David Boreanaz) and Cordelia. When Faith is hired by Wolfram and Hart to kill Angel, but she kidnaps and tortures Wesley instead.

A while later, Wesley develops feeling for Winifred “Fred” Burke (Amy Acker), the newest member of the team. He also switches to the dark side when he tries to save Angel’s newborn son, Connor (played as a teenager by Vincent Kartheiser), but his throat is slit in the process. After dealing with loss, a bruised ego and discovering the truth about his father, he dies next to his beloved, Fred.

To sum it up: Over the course of his time on screen, Wesley moves from a pompous know it all who is obsessed with rules to a man who more often than not, gave into his flaws and weaknesses. But in the end, he redeemed himself by fighting for what was right. As an audience member, I can’t ask for a better character arc.

P.S. Fun fact: Alexis Denisof and Alyson Hannigan are married IRL and have two daughters.

Buffy the Vampire Slayer and Angel Character Review: Kendra Young

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

Art has a strange way of imitating life. Like in real life, some people are not meant to be around forever. They are just meant to be part of our lives for a short time before moving on. On Buffy the Vampire Slayer, Kendra Young (Bianca Lawson) was only on the show for a brief time. In the world of BVTS and Angel, when one slayer dies, another one is immediately activated.

After Buffy is killed by The Master before being brought back to the life, Kendra is activated as the new slayer. Kendra’s entire world is being the slayer, while Buffy is balancing being a normal teenager with her slaying responsibilities. She nearly kills Angel (David Boreanaz), thinking that he is one of the baddies.

Over time, Kendra and Buffy become friends and learn from each other. That friendship is cut short when Kendra is killed by Drusilla (Juliet Landau).

To sum it up: We learn from everyone we meet and every experience we have. Though her time with Buffy is brief, Kendra teaches Buffy to accept her destiny as a slayer and Buffy teaches Kendra to enjoy life. When creating narratives and characters, no matter how far out the world maybe from the real world, there still has to be an element of reality. Buffy and Kendra’s friendship, as brief as it is, leads to life lessons that can only be learned from one another.

Buffy the Vampire Slayer and Angel Character Review: Faith Lehane

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

The concept of the frenemy is as follows: a person with whom one is friendly despite a fundamental dislike or rivalry. On Buffy the Vampire Slayer, Buffy’s (Sarah Michelle Gellar) frenemy is Faith Lehane (Eliza Dushku). In the world of BVTS, every time a slayer dies, a new one is activated. After Kendra Young (Bianca Lawson) is killed, Faith is activated as the new slayer. She tries to become one of the Scooby gang, but she fits in like square peg fits in a round hole.

When it becomes obvious that Faith will never be part of Buffy’s inner circle, she becomes bitter and angry. When she accidentally kills a human who she thought was a vampire, Faith turns to the dark side. Aligning herself with the Mayor, she becomes his surrogate daughter and henchwoman. Buffy and Faith get into the fight of all fights at the end of the third season after Faith nearly kills Angel. Buffy wins the battle, leaving Faith alive, but in a coma.

When Faith wakes up from her coma, she takes revenge on Buffy by switching their bodies. While in Buffy’s body, she does some not so nice things and is taken into custody by the Watcher’s Council. After they revert to their own bodies, each woman has come to realize that they misunderstood each other. They may never be friends, but at least there is an understanding of the other woman.

Faith is then bound for Los Angeles, where she is hired by Wolfram & Hart to kill Angel. This second quest to kill Angel leads Faith on a journey to figure out if she has some chance of being a hero or if she will only ever be a villain. This jump from hero to villain and back to hero takes Faith back to Sunnydale. Fighting with the Scooby gang in the final battle, Faith proves herself to be a hero.

To sum it up: From a writing perspective, a frenemy is a great antagonist. He or she knows our hero/heroine. They especially know what makes the hero or heroine tick. As one of the major antagonists in the BVTS and Angel universe, Faith knows our heroes well. This allows her to get under their skins. But they also know her well, allowing them to reach her humanity.  Like many of the major baddies on BVTS and Angel, she balances the villain with just enough humanity to catch the audience’s attention.

Which is the reason why BVTS and Angel fans still respect and adore this character.

Buffy the Vampire Slayer and Angel Character Review: Cordelia Chase

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

According to the lore of the high school social hierarchy, the popular cheerleader is the girl that we should all aspire to be. On the top of the pyramid that the social aspect of high school, the girls want to be her and the boys want to date her. She is also often cast as the mean girl who takes pleasure in putting down her classmates.

In Buffy the Vampire Slayer, the character trope of the popular cheerleader/mean girl was filled by Cordelia Chase (Charisma Carpenter). When Cordelia meets Buffy (Sarah Michelle Gellar), she genuinely likes her. That is, until Buffy becomes friends with Willow (Alyson Hannigan) and becomes a target for Cordelia’s cruel taunts. She is also unaware of the darker elements that are engulfing the school and the community.

At the end of the first season, Cordelia’s eyes are opened about the nature of the world that she lives in. Not only does she become friends with the Scooby gang, but she starts an on/off relationship with Xander (Nicholas Brendon). Towards the end of season three, as the prom nears, Cordelia reveals that her family is having major financial issues and she must now fend for herself.

After surviving graduation and the destruction of Sunnydale High School by the mayor, Cordelia moves to Los Angeles in hopes of becoming an actress. Instead, she works with Angel (David Boreanaz) to solve supernatural cases. She is no longer the popular cheerleader/mean girl that she was in high school, she is working for a greater cause. After gaining the power to know when someone is in trouble from Doyle (the late Glenn Quinn), the person that she was back in Sunnydale disappeared. Instead, she has become an adult who understands what it means to sacrifice yourself for something greater.

To sum it up: the essence of any character arc is to watch a character develop over the course of the time that they are on our screens. Between BVTS and Angel, Cordelia morphed from the standard teenage trope of the popular cheerleader/mean girl to a woman who put others needs before hers. It is a remarkable journey for a character that could have easily remained two-dimensional and predictable.

Instead, the writers of BVTS and Angel created a character who grew from a young girl to a woman. The one thing I remember about Cordelia is that her arc felt very real. The growing process from our teenage years to adulthood is full of emotional potholes and barriers. By the time Angel ended in 2004, Cordelia was a woman who looked like the young girl that she was, but was a very different person from the audience’s initial introduction.

That, if nothing else, is the mark of a good writer.

Buffy the Vampire Slayer and Angel Character Review: Joyce Summers

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

To be the parent of a teenager is not easy. Especially when your teenager is different from their peers. On Buffy the Vampire Slayer, Joyce Summers (Kristine Sutherland), is Buffy Summers’s (Sarah Michelle Gellar) single mother. Joyce hopes that moving to Sunnydale will give both of them a fresh start. But while Buffy is caught up in her new identity as the slayer and Joyce focusing on creating a life for them, their relationship becomes strained.

When Joyce finally comes to understand who her daughter is, she is understandably shocked. She gives her daughter an ultimatum: stay home or leave. Buffy make the decision to leave her mother’s house and Sunnydale. After spending time in Los Angeles, Buffy returns home and learns the difficulties her mother faced without her.   But underneath those difficulties, Joyce has never stopped loving her daughter.

Joyce appeared for the last time in the fifth season. She has not one, but two daughters. Dawn (Michelle Trachtenberg) is the key placed in human form so it can be protected by Buffy. As far as anyone knows, Joyce has always had two daughters. When she tragically dies from cancer, she leaves two heartbroken daughters and a circle of characters who are grieving as much as Buffy and Dawn are.

To sum it up: Being a parent requires love, patience and understanding. Joyce Summers embodies all off these qualities, even if she is not always the perfect parent. Despite her initial misgivings and frustration about her older daughter’s abilities, Joyce never stopped loving her children. If nothing else, that is what anyone would wish to receive from their parent?

 

Buffy the Vampire Slayer and Angel Character Review: Anya Jenkins

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

Revenge is a dish best served cold, especially when a woman takes revenge on her cheating husband or boyfriend.

On Buffy the Vampire Slayer, Anya Jenkins (Emma Caulfield) was introduced in third season as a guest character. Though she was once human, the audience meets her as Anyanka, a demon that women call on when they want to take revenge on the men who have cheated on them. When Cordelia (Charisma Carpenter) catches her boyfriend, Xander (Nicholas Brendon) kissing Willow (Alyson Hannigan), she wishes that Buffy (Sarah Michelle Gellar) had never moved to Sunnydale. This opens the door to an alternate reality where there is no slayer and the vampires control the town. Thankfully, Giles (Anthony Stewart Head), destroys her necklace (where her power comes from), returning the world back to normal and returning Anya back to human form.

Because she has lived for 1000 years as a demon, Anya is unaware of the social cues and social norms. This leads to uncomfortable moments within the Scooby gang and comedy for the audience as Anya says and does things that someone who is aware of social cues and norms would not say or do. She also has a will they or won’t they relationship with Xander, which leads to them nearly saying I do. But Xander is manipulated by someone from his soon be wife’s past and his growing anxieties lead him to break off the engagement just before the ceremony. At the end of the series, Anya becomes a martyr, sacrificing herself to save her former lover.

To sum it up: the woman taking revenge on her cheating significant other is a standard narrative. Anya makes the character more interesting by adding the comedy and the lack of awareness of what not say and do. This comedy not only lightens the dark mood of BVTS, allowing the audience to laugh and wanting to come back for more.

Buffy the Vampire Slayer and Angel Character Review: Dawn Summers

*Warning: This post contains spoilers about the characters from the television series Buffy the Vampire Slayer and Angel. Read at your own risk if you have not watched one or both television series. In this series of character reviews, I will strictly be writing about the characters from the television series, not the 1992 film.

There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.

In this series of weekly blog posts, I will examine character using the characters from Buffy the Vampire Slayer and Angel to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.

To be one’s little sister is not always easy. Especially when one’s older sister is the Slayer. On Buffy the Vampire Slayer, that little sister is Dawn Summers. Introduced in the beginning of season 5, Dawn appeared to be the average, annoying little sister. She adored her sister’s friends and wanted to be around them. But like any big sister,Buffy did not want to have her sister around.

But up until that point, Buffy (Sarah Michelle Gellar), was an only child.  But no one questioned Dawn’s existence. Then Buffy discovered that Dawn is the Key, a mystical object turned into human form so she can be protected from Glory (Clare Kramer). After Buffy defeats Glory, Dawn is accepted as she is. But then her mother dies and Dawn has to deal with the loss of her mother. In her grief, Willow (Alyson Hannigan) helps Dawn with a spell to bring her mother back, but that does not end well.

The sisters finally mend their relationship after Buffy’s bought with with depression and Dawn’s feelings of abandonment. During the final battle at end of the series, Dawn fights with the Scooby gang and earns her stripes as an ally of the Slayer.

To sum it up: The stereotype of the annoying little sister can be fun to play with as a writer. The character of Dawn is interesting because she is much more than the basic character trope. Beyond her magical conception and abilities, she is a fully formed character whom we love to hate because she is so annoying. When a character is memorable because they are annoying, the writer(s) have done something right.