*Warning: This post contains spoilers about the characters from the television series Will & Grace. Read at your own risk if you have not watched either the previous series or the new series.
There is something to be said about a well written, human character. They leap off the page and speak to us as if they were right in front us, as flesh and blood human beings, instead of fictional creations.
In this series of weekly blog posts, I will examine character using the characters from Will & Grace to explore how writers can create fully dimensional, human characters that audiences and readers can relate to.
For every main character, there is a supporting character. Sometimes, this character is the zany and not all there sometimes, but they are just as important to the narrative as the main character. In the world of Will & Grace, this character is Karen Walker (Megan Mullally). Karen is Grace Adler’s (Debra Messing) “assistant”. Though truth be told, Grace uses Karen more for her contacts among New York City’s elite rather than her abilities in assisting Grace in the running of her business. Karen is more interested in shopping and her extensive collection of alcohol and pills rather than getting work done. Her often spoken of obese and mega-wealthy husband, Stan is heard, but never fully seen.
Karen takes great pleasure in mocking Grace for whatever she sees as an easy target. She also has a very interesting relationship with Jack McFarland (Sean Hayes) that is often symbiotic and mocks Will (Eric McCormack) as much as she mocks Grace. But underneath all that, Karen is there for her friends, through thick and thin.
To sum it up: While the supporting character is not given as much of the spotlight as the main character, it is important for the writer to give him or her their due. Karen works as a supporting character because not only is she the yin to Grace’s yang, but she also has enough of a back story to be a fully fleshed out character. Without that due and that fleshing out by the writers, Karen Walker would be just another flat supporting character that is neither seen or appreciated by the audience or reader.