Women have always done the behind-the-scenes work. But while the men get the accolades, the women are ignored and their work is minimized.
The new Broadway play, POTUS, by Selina Fillinger, puts the spotlight on seven women who are the real power behind the throne. Or, in this case, the President of the United States. The story starts when during an event, POTUS (who is only seen from the waist down) refers to Margaret, aka FLOTUS (Vanessa Williams) via a word I will not repeat on this blog.
Harriet (Julie White) is the chief of staff who is trying to keep the resulting chaos at bay. Jean (Suzy Nakamura) is the press secretary who is doing everything she can to answer the barrage of questions. Stephanie (Rachel Dratch) is the mousy secretary trying to boost her confidence.
Chris (Lilli Cooper) is the journalist balancing work and motherhood (complete with breast pumps). Bernadette (Lea Delaria) is POTUS’s wayward sister with a not-so-clean past. Dusty (Julianne Hough) is a young lady who might be POTUS’s sidepiece.
Together, these women must tamp down on the scandal and save the leader of the free world.
The best way to describe the play is a feminist political farcical screwball comedy. All of the performers are at the top of their game. The physical gags provoke nothing short of gut-busting laughter. Woven into the comedy are issues that are, unfortunately, still too prevalent, even in 2022.
It is one of the funniest plays that I have seen in a long time. I would, in fact, see it again, if it had not already closed.
Do I recommend it? Absolutely. If it goes on tour at some point, I highly recommend that you run, not walk to the box office.
POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive closed in New York City on August 14th.
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